《光，到处都是》探索了摄像机、武器、治安和司法的共同历史。随着监控技术已经成为日常生活的固定部分，这部影片对客观角度的复杂性进行拷问，探究人类感知和镜头中固有的偏见。

《光，到处都是》探索了摄像机、武器、治安和司法的共同历史。随着监控技术已经成为日常生活的固定部分，这部影片对客观角度的复杂性进行拷问，探究人类感知和镜头中固有的偏见。

以色列军队的军官候选人在进行课程的最后一项任务，两个女军官在残酷的沙漠荒地艰苦跋涉着，突然其中一人发现她忘记了一件很重要的东西……

以色列军队的军官候选人在进行课程的最后一项任务，两个女军官在残酷的沙漠荒地艰苦跋涉着，突然其中一人发现她忘记了一件很重要的东西……

The building of the M11 Link Road in East London provoked a long and bitter campaign by local residents to protect their homes from demolition. Blight was filmed during this period, while houses were demolished and land cleared. Using recordings made of people's reminiscences, the score incorporate fragments of speech and natural sounds. The film is based on real events which transformed people's lives, but it is much more than a conventional documentary. Enigmatic stories are created and the mundane is transformed into the marvellous. The music and images are woven into an elegiac evocation of memory and loss.

The building of the M11 Link Road in East London provoked a long and bitter campaign by local residents to protect their homes from demolition. Blight was filmed during this period, while houses were demolished and land cleared. Using recordings made of people's reminiscences, the score incorporate fragments of speech and natural sounds. The film is based on real events which transformed people's lives, but it is much more than a conventional documentary. Enigmatic stories are created and the mundane is transformed into the marvellous. The music and images are woven into an elegiac evocation of memory and loss.

宋淮枳耗费七年，将高中肄业的江梦烟捧成顶流歌后。结果却发现她手腕伤疤是为白月光姜辞所留，且江梦烟为姜辞屡次牺牲事业、背弃他。真相揭开后，姜辞真面目暴露，江梦烟追悔莫及，然而宋淮枳早已转身，开启全新人生。

三个朋友——马特奥、胡安和贝尼托——的旅程让他们的友谊经受了考验。贝尼托是一名警长，由于西班牙南部贩毒活动增多和社会动荡，他陷入执法部门和犯罪分子之间的两难境地。

1986年春天，切尔诺贝利发生爆炸，一个名叫咪咪的女孩来到了芬兰西部的一个小村庄。她立即让 15 岁的玛丽亚的生活充满了辐射的光芒。20年后，玛丽亚回到家中照顾生病的母亲，那个有意义的夏天的记忆开始浮出水面。