Out of the Ether re-assembles disquieting images from decades-old hygiene and science films, merging them with the filmmaker’s own Bolex camerawork. It was re-photographed on the optical printer, toned and tinted to bring out pulsating hues of oozing greens and yellows.

Out of the Ether re-assembles disquieting images from decades-old hygiene and science films, merging them with the filmmaker’s own Bolex camerawork. It was re-photographed on the optical printer, toned and tinted to bring out pulsating hues of oozing greens and yellows.

Kawaguchi's Aether follows on from his earlier film Air (1992), in which he enlarged 8 mm film material, breaking down the image to the level of individual grains and transforming it into a painting. Now he replicates the experiment through a different medium: a digital camera captures a girl walking away in slow motion, and artificial intelligence transforms the enlarged image, finding patterns in the visual noise and thousands of faces in the blurred image. The immortalization of a single happy moment is transformed into a meditation on digital visuality.

李爽通过行为艺术、互动网站、雕塑、影像装置创作探讨全球化的通信系统。她的作品反思了现实与数字空间的交叉地带，戏剧化地呈现这种当代双重生活对我们自由、欲望和亲密体验的影响。 　　《以太》是一件拼贴式影像作品，令人眼花缭乱的声音与图像组合，呈现了物质世界与虚拟现实之间边界的崩塌。这件万花筒般的影像作品将两位女性主角、鸟群、数字动画及废弃场所的素材剪辑在一起，暗示超饱和的网络文化对个人意识造成的困惑。 　　这些具身性的影响也有宇宙层面的意涵，影像的叙事部分基于女娲用自己的身体修补残破天空的传说，将视频博主和远程工作者经常使用的环形灯与反复出现的日食景象关联。李爽的作晶充满了多样的风格和联想，邀请观众思考一个世界渗入另一个世界时的情形。

Kawaguchi's Aether follows on from his earlier film Air (1992), in which he enlarged 8 mm film material, breaking down the image to the level of individual grains and transforming it into a painting. Now he replicates the experiment through a different medium: a digital camera captures a girl walking away in slow motion, and artificial intelligence transforms the enlarged image, finding patterns in the visual noise and thousands of faces in the blurred image. The immortalization of a single happy moment is transformed into a meditation on digital visuality.

When a young couple spends a day in the countryside, suppressed tensions bubble to the surface, as they struggle to communicate on questions of power and responsibility.

从后世界末日的西部片到疯狂的喜剧，再到可怕的恐怖片和血腥片，以太莉亚完美地融合了世界上最优秀的新兴女性类型导演们的精神扭曲和令人恐慌的兴奋。每集都展示了这个新的选集系列中的奇幻景象，该系列旨在向忠实的流派迷们介绍令人惊叹的导演。

凯瑟琳 （Catherine） 是一位包容性天主教合唱团的母亲和合唱团指挥，她将如何成为凯茜 （Cathy），并着手通过为残疾人提供性陪伴来征服快乐。

退伍兵王叶凯，因家庭危机重操旧业成为保镖。他保护赵氏集团总裁赵霁，展现过人能力，赢得赵霁的尊重。两人在共同面对挑战中，感情悄然升温。他们经历挣扎、成长，最终理解并尊重彼此，战胜外界阻碍，走到一起。这段爱情让他们更加坚强，证明了真爱能战胜一切困难。

尽管种种不堪回首的往事经常在杰弗（罗伯特·米彻姆 Robert Mitchum 饰）的脑海中卷土重来，但他依旧果断的抛弃了过去危险混乱的生活，和女友安（Virginia Huston 饰）过上了稳定平静的日子。没想到，过往却不肯放过杰弗，当一个名叫怀特（柯克·道格拉斯 Kirk Douglas 饰）的赌棍找到了早已经改头换面的杰弗时，杰弗知道，自己的好日子所剩不多。 　　原来，杰弗曾是一名私家侦探，他的老板不是别人，正是怀特。受怀特所托，杰弗前往阿尔普卡特，去寻找怀特的情夫凯西（简·格里尔 Jane Greer 饰）以及她所侵吞的巨额金钱。没想到，凯西的魅力吸引了杰弗，他背叛了怀特。如今，是时候还清当初欠下的债了，这一次，杰弗能否彻底的和往事说再见？