改编自托尔斯泰《伊凡·伊里奇之死》。 　　关于导演： 　　作为塔科夫斯基最好的学生、朋友和曾主演《潜行者》的前苏联著名演员Aleksandr Kaidanovsky来说，没有人能比他更了解老塔的电影创作理念了，然而他自己的作品却始终充满着奇异的幻想、超现实主义的意境和对政治隐含的讽刺，尽管在摄影风格上依然带有明显的塔式风格，但从故事和主题上却很不同，本片就改编自托尔斯泰的名作。 　　Kaidanovsky年仅49岁死于莫斯科，是前苏联电影界的一位早逝的天才，他一生只拍摄了3部长片和一部短片，都是极其少见的先锋作品。

改编自托尔斯泰《伊凡·伊里奇之死》。 　　关于导演： 　　作为塔科夫斯基最好的学生、朋友和曾主演《潜行者》的前苏联著名演员Aleksandr Kaidanovsky来说，没有人能比他更了解老塔的电影创作理念了，然而他自己的作品却始终充满着奇异的幻想、超现实主义的意境和对政治隐含的讽刺，尽管在摄影风格上依然带有明显的塔式风格，但从故事和主题上却很不同，本片就改编自托尔斯泰的名作。 　　Kaidanovsky年仅49岁死于莫斯科，是前苏联电影界的一位早逝的天才，他一生只拍摄了3部长片和一部短片，都是极其少见的先锋作品。

Alexander Dovzhenko’s first sound film, revolving around the construction of a giant dam on the Dnieper River, is one of his greatest, though it was poorly received in the Soviet Union when it came out in 1932. It’s only one of the eccentricities of this lyrical and monumental feature that the title refers to three different characters, and it’s telling that the father of one of them, an illiterate peasant who proudly spends his time fishing and loafing while everyone else works, is treated with considerable warmth. (A sequence in which he’s frightened when addressed by an outdoor loudspeaker evokes Chaplin as well as Tati.) As in all of Dovzhenko’s best work, the style veers closer to lyrical poetry (its opening sequence about the river) and portraiture (a later segment introducing us to various workers) than to narrative, though it’s innovative in other respects as well: the final sequence includes some striking jump cuts almost 30 years before Jean-Luc Godard purportedly invented them in Breathless.

讲述一名意大利工人在勃朗峰隧道工作所发生的惨剧。

11歲的Ivan戀愛了。 他獲選參加一場重要的足球比賽，一群孩子將與世界運動好手對打，他想藉這難得的機會，讓夢中情人對他刮目相看。

Ivan is a young Russian vagrant in Paris. Rejected by all, he takes refuge in the woods of Vincennes. But this new haven of peace turns into a nightmare when Ivan tries to resist the traffic of an underworld wildlife.

残酷的战争摧毁了12岁男孩伊万（Nikolay Burlyaev 饰）的童年，母亲和姐姐早年被德国军队杀害，小小年纪的伊万也不得不走上战场，成为一名在战火和死亡中穿梭的侦察兵。 　　由于年龄的关系，中尉戈克森甚至不敢相信伊万的身份，但从科赫林上尉（Valentin Zubk ov 饰）的口中，他得知眼前这瘦小的男孩竟如此果敢。科赫林上尉希望将伊万带离战场，送他到远方读书。然而伊万却拒绝离开，这个勇敢的男孩决心战斗到生命的最后一刻…… 　　本片荣获1962年旧金山国际电影节最佳导演奖和1962年威尼斯电影节金狮奖。

残酷的战争摧毁了12岁男孩伊万的童年，母亲和姐姐早年被德国军队杀害，小小年纪的伊万也不得不走上战场，成为一名在战火和死亡中穿梭的侦察兵。由于年龄的关系，中尉戈克森甚至不敢相信伊万的身份，但从科赫林上尉的口中，他得知眼前这瘦小的男孩竟如此果敢。科赫林上尉希望将伊万带离战场，送他到远方读书。然而伊万却拒绝离开，这个勇敢的男孩决心战斗到生命的最后一刻…… 本片荣获1962年旧金山国际电影节最佳导演奖和1962年威尼斯电影节金狮奖。

Since the death of their father and mother, Ambar and Dika move to a nursing home owned by their parents' best friend and their son, Agus. There are three people in the nursing home of Masa Toea: Grandma Ani, Grandpa Farid, and Oma Ida. The three are taken care of by Rina, a nurse who is also Agus's girlfriend. Not long after Ambar and Dika's move, Oma Ida's grandson, Arthur, comes to celebrate Eid. Ambar, who has the ability to see mystical things, accidentally gets a vision from the past: Ivanna, a Dutch woman, was tortured by Japanese soldiers which resulted in losing her head. A series of mystical events begin to haunt Ambar and all the residents of the nursing home, especially after they find a headless statue in the basement along with a vinyl record containing a scary song. On the day of Eid, things got even more tense when the residents of the orphanage found that Granny Ani has died without a head. Everyone panicky, especially when one by one the mystery of Ivanna's revenge is revealed. With the safety of all the residents of the orphanage now in danger, Ambar is required to finish Ivanna's revenge, before the spirit takes their lives.

Ambar 和他的家人在万隆地区庆祝黎巴嫩节时受到了惊吓。Ambar，一位视力有限的美丽年轻女子，能够看到其他人看不到的东西。