伊万·多布里宁不喜欢俄罗斯的童话故事，也不相信它们。有一天，他意外地掉进了一个神奇的箱子里，发现自己置身于俄罗斯童话的世界之中。要返回自己的世界，伊万必须对抗邪恶的势力、结交朋友，并完成真正英勇的壮举。

Alexander Dovzhenko’s first sound film, revolving around the construction of a giant dam on the Dnieper River, is one of his greatest, though it was poorly received in the Soviet Union when it came out in 1932. It’s only one of the eccentricities of this lyrical and monumental feature that the title refers to three different characters, and it’s telling that the father of one of them, an illiterate peasant who proudly spends his time fishing and loafing while everyone else works, is treated with considerable warmth. (A sequence in which he’s frightened when addressed by an outdoor loudspeaker evokes Chaplin as well as Tati.) As in all of Dovzhenko’s best work, the style veers closer to lyrical poetry (its opening sequence about the river) and portraiture (a later segment introducing us to various workers) than to narrative, though it’s innovative in other respects as well: the final sequence includes some striking jump cuts almost 30 years before Jean-Luc Godard purportedly invented them in Breathless.

Alexander Dovzhenko’s first sound film, revolving around the construction of a giant dam on the Dnieper River, is one of his greatest, though it was poorly received in the Soviet Union when it came out in 1932. It’s only one of the eccentricities of this lyrical and monumental feature that the title refers to three different characters, and it’s telling that the father of one of them, an illiterate peasant who proudly spends his time fishing and loafing while everyone else works, is treated with considerable warmth. (A sequence in which he’s frightened when addressed by an outdoor loudspeaker evokes Chaplin as well as Tati.) As in all of Dovzhenko’s best work, the style veers closer to lyrical poetry (its opening sequence about the river) and portraiture (a later segment introducing us to various workers) than to narrative, though it’s innovative in other respects as well: the final sequence includes some striking jump cuts almost 30 years before Jean-Luc Godard purportedly invented them in Breathless.

以动画情景剧的形式来传达人生哲理，孩子们在生动有趣的动画情景中提升智力水平，学习知识，拓宽知识面，通过简单生动的故事懂得更多的道理。

以动画情景剧的形式来传达人生哲理，孩子们在生动有趣的动画情景中提升智力水平，学习知识，拓宽知识面，通过简单生动的故事懂得更多的道理。

11歲的Ivan戀愛了。 他獲選參加一場重要的足球比賽，一群孩子將與世界運動好手對打，他想藉這難得的機會，讓夢中情人對他刮目相看。

11歲的Ivan戀愛了。 他獲選參加一場重要的足球比賽，一群孩子將與世界運動好手對打，他想藉這難得的機會，讓夢中情人對他刮目相看。

Ivan is a young Russian vagrant in Paris. Rejected by all, he takes refuge in the woods of Vincennes. But this new haven of peace turns into a nightmare when Ivan tries to resist the traffic of an underworld wildlife.

Ivan is a young Russian vagrant in Paris. Rejected by all, he takes refuge in the woods of Vincennes. But this new haven of peace turns into a nightmare when Ivan tries to resist the traffic of an underworld wildlife.