Erie consists of a series of single take vignettes in and around communities near Lake Erie that relate to Black migration in the USA, contemporary conditions, folks concentrating on the task at hand, theater and famous art objects.

Erie consists of a series of single take vignettes in and around communities near Lake Erie that relate to Black migration in the USA, contemporary conditions, folks concentrating on the task at hand, theater and famous art objects.

A Feature documentary on the late Elia Kazan. 　　Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

An experimental documentary comprised of regional vignettes about faith, force, technology and exodus. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism and resistance, all occurring somewhere in the state of Illinois. But the state is a structural ruse, and its histories are allegories that ask what belief might teach us about nationhood. In our desire to understand the inscrutable, whom do we end up blaming or endorsing?

An experimental documentary comprised of regional vignettes about faith, force, technology and exodus. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism and resistance, all occurring somewhere in the state of Illinois. But the state is a structural ruse, and its histories are allegories that ask what belief might teach us about nationhood. In our desire to understand the inscrutable, whom do we end up blaming or endorsing?

【内容介绍】 伊利亚和她的哥哥葛林是以完成各种赏金任务为生的搜索者，在一次怪异的拯救任务中葛林被宇宙船中的怪兽杰拉姆所杀，而这怪兽是政府秘密养殖来研制生化武器的不死身生物。从自爆的宇宙船上逃脱的伊利亚、鲍勃和杰拉姆都坠落在一个和平的小旅游星球陶瓦匠上，伊利亚誓要杀死杰拉姆为哥哥报仇，两人展开了一场血雨腥风的战斗。 【背景介绍】 这是特摄鬼才导演雨宫庆太的电影zeriam the movie的衍生品，一共6集ova。由桂正和负责人设和科幻设定，该作对他之后的作品DNA2影响不小。 伊利亚是一部未来科幻武侠片。故事的要素显而易见：诡异的异形生物，荒凉的行星，以及身手了得的美女赏金猎人—伊利亚。这就是美少女对丑陋异形的复仇物语，她一路上锄强扶弱、快意情仇，然后与丑陋的仇敌一对一PK。打斗爽快、情节流畅，这就足够了，至于剧情，动作片都是一个套路。（顺带鄙视一下那个恶心的外星人，怎么打也打不死，难道是星矢转世？）

宇宙中的某个部族，为了研究宇宙中最恐怖的魔神生物并将其作为自己的战斗武器而捕获了ZEIRAM，然而最终全部研究人员和军队都被ZEIRAM屠杀。于是，在地球的赏金猎人IRIA接到了对ZEIRAM的赏金令…… 　　在本作中，不但有雨宫庆太和竹谷隆之的鼎力制作，包括桂正和也在里卖面露了个小脸，寺田克也等顶级人物也加入了制作中，本作上映后，更是推出了ZEIRAM、Iria战斗装、ZEIRAM最终形态等经典道具为原型的手办，其中大多称为GK爱好者们的圣物，可见造型之棒。剧情基本还是雨宫庆太流特摄片的套路，就不用太多注重了.

在前作《Iria:Zeiram the movie》中，Iria费尽力气才把ZIERAM的第一形态击败。之后，研究ZEIRAM的外星势力将ZEIRAM封印到机械外壳中，并希望利用电脑加以控制。被封印到机械外壳中的ZEIRAM第二形态在一开始的实验中就表现出了强悍的战斗势力。但是，它却因为电脑故障而恢复了残暴的本性，并把Iria作为了它的第一目标…… 　　在本作中，不但有雨宫庆太和竹谷隆之的鼎力制作，包括寺田克也等顶级人物也加入了制作中，本作上映后，更是推出了ZEIRAM2、破胸ZEIRAM、Iria重装版、地狱犬、Zeiram飞行形态和骷髅观音等经典道具为原型的手办，其中大多称为GK爱好者们的圣物，可见造型之棒。剧情基本还是雨宫庆太流特摄片的套路，就不用太多注重了.

作为宇宙赏金猎人的伊利亚，在有一天与哥哥执行任务的时候，遇到了神秘的宇宙生物杰拉姆…… 　　本作由雨宫庆太创作，另有两部电影。桂正和充当美监。注意：本作品是一个6集的动画！！

公交车上，穿着白衬衣的少年民秀（金彗星 饰）坐在座位上学习，因为掉下了一卷胶片，遇到了同车一名戴着棒球帽的少年（李贤真 饰）。民秀不自觉地被他吸引，想去捡回东西却又暗自慌乱不已。正要站起身时，发现棒球帽少年已经把他掉落的胶卷握在手里。民秀鼓起勇气走向少年，少年心照不宣地把东西还给他。下车后，民秀止不住地悸动不安，以为那个棒球帽少年会跟在自己后面，转头却发现街道上空无一人。他失望地继续走，却一头撞进了一个人的怀抱里。原来是那个棒球帽少年！少年把一部相机还给民秀，这部相机，原来是两人相遇的最开始…… 　　当时光又回到了最初的公交车站上，少年遇到少年，真的只是一场意外的相遇吗？