元禄十五年（1688 年），世人为 47 名浪人武士为报主君浅野忠信之仇而称道。当时执政的德川纲吉将军在如何处置这些武士的问题上感到为难，最终决定判处他们切腹自尽

元禄十五年（1688 年），世人为 47 名浪人武士为报主君浅野忠信之仇而称道。当时执政的德川纲吉将军在如何处置这些武士的问题上感到为难，最终决定判处他们切腹自尽

It took two years for Mehran Tamadon to persuade the four supporters of the Iranian regime to risk taking part in an experiment with him. Now he receives them as guests at his family’s country house to try out something that does not exist in Iran: a pluralistic society. As the women disappear into the guest rooms, the men discuss the advantages and disadvantages of a secular society, the veil, abortion, freedom of the press… The guests not merely outnumber the filmmaker, who is critical of the regime, but are also masters of rhetoric. Again and again, they twist his words and use them against him. His secular society, they argue, is just as ideological as their religious one. The mood is contentious, but there’s also a great deal of communal laughter, prayer and cooking. In the end, the attempt to create a social utopia fails as there are simply too many issues that are non-negotiable. But does that mean that the experiment itself has failed? After all, for a brief time, differing lifestyles and opinions managed to co-exist. A dialogue took place. For the filmmaker, however, there’ll be a high price to pay. (Berlinale 2014)

It took two years for Mehran Tamadon to persuade the four supporters of the Iranian regime to risk taking part in an experiment with him. Now he receives them as guests at his family’s country house to try out something that does not exist in Iran: a pluralistic society. As the women disappear into the guest rooms, the men discuss the advantages and disadvantages of a secular society, the veil, abortion, freedom of the press… The guests not merely outnumber the filmmaker, who is critical of the regime, but are also masters of rhetoric. Again and again, they twist his words and use them against him. His secular society, they argue, is just as ideological as their religious one. The mood is contentious, but there’s also a great deal of communal laughter, prayer and cooking. In the end, the attempt to create a social utopia fails as there are simply too many issues that are non-negotiable. But does that mean that the experiment itself has failed? After all, for a brief time, differing lifestyles and opinions managed to co-exist. A dialogue took place. For the filmmaker, however, there’ll be a high price to pay. (Berlinale 2014)

在母亲去世之后，青年埃尔维斯（盖尔·加西亚·贝纳尔 Gael García Bernal 饰）孤身一人前往老家德州科帕斯克里斯蒂，母亲告诉他，他的亲生大卫（威廉·赫特 William Hurt 饰）生活在那里。此时的大卫是浸信会教堂的牧师，早已结婚生子，拥有美丽的妻子和两个可爱的孩子保罗（保罗·达诺 Paul Dano 饰）、玛丽莱（贝尔·詹姆斯 Pell James 饰），埃尔维斯的到来对于他来说虽然是感动的重逢，却也是对他现在稳定生活的沉重打击。 　　最终，大卫选择抛弃过去，但是埃尔维斯和玛丽莱却相爱了，很快，他们走到了一起。两个年轻人的恋情让大卫的心里充满了愤怒和恐惧，一场悲剧正在酝酿之中。

在母亲去世之后，青年埃尔维斯（盖尔·加西亚·贝纳尔 Gael García Bernal 饰）孤身一人前往老家德州科帕斯克里斯蒂，母亲告诉他，他的亲生大卫（威廉·赫特 William Hurt 饰）生活在那里。此时的大卫是浸信会教堂的牧师，早已结婚生子，拥有美丽的妻子和两个可爱的孩子保罗（保罗·达诺 Paul Dano 饰）、玛丽莱（贝尔·詹姆斯 Pell James 饰），埃尔维斯的到来对于他来说虽然是感动的重逢，却也是对他现在稳定生活的沉重打击。 　　最终，大卫选择抛弃过去，但是埃尔维斯和玛丽莱却相爱了，很快，他们走到了一起。两个年轻人的恋情让大卫的心里充满了愤怒和恐惧，一场悲剧正在酝酿之中。

Baadshah是一个聪明机智的私家侦探，在一群朋友的帮助下一直能够成功完成任务。但是在一次“骗局”任务中，他把心交给了一名叫seema的女孩，但是因为误会，二人还没能走在一起。Suraj Singh Thaper是个黑心的商人，为了赚钱他致使自己工厂的员工死伤500人。Gayetri Bachchan是位为民着想的政府官员，为了百姓，她要关闭Suraj Singh Thaper的工厂。Suraj Singh Thaper恼羞成怒，决定派人暗杀Gayetri Bachchan。他决定让暗杀人员代替原本要保护Gayetri Bachchan夫人的CBI探员。与此同时，Baadshah也接到一个任务，地点就在“暗杀事件”的果阿。原本两拨人是没有交集的，但是却因为CBI探员的代号也叫“Baadshah”而闹出了一大堆的事件。最后，Baadshah不仅完成了自己的任务，连带着将这政治上的暗杀事件也化解了，同时还抱得美人归。

曾几何时，一个人只身前往世界尽头。在那里，在新近独立的南美一隅，他创立了自己的王国。这就是1860年，法国冒险家Orllie-Antoine de Tounens的故事，也许有几分疯狂。他用自己起草的宪法和他所扛起旗帜的庇护自己，从马背上的崎岖旷野杀出了一条血路。抵达那里之后，他想方设法团结起本地人并当选为统治者。至少，这是这个真实的故事的一个版本。换言之，他只是一个与当地叛徒里应外合的家伙。他是一个法国间谍！他成功了，但被抓捕，被放逐，最后死亡。但是，到头来呢？谁记得在哪里，发生过什么？在《国王》这部影片里，消退的图像和退化的声音述说着历史和记忆。

曾几何时，一个人只身前往世界尽头。在那里，在新近独立的南美一隅，他创立了自己的王国。这就是1860年，法国冒险家Orllie-Antoine de Tounens的故事，也许有几分疯狂。他用自己起草的宪法和他所扛起旗帜的庇护自己，从马背上的崎岖旷野杀出了一条血路。抵达那里之后，他想方设法团结起本地人并当选为统治者。至少，这是这个真实的故事的一个版本。换言之，他只是一个与当地叛徒里应外合的家伙。他是一个法国间谍！他成功了，但被抓捕，被放逐，最后死亡。但是，到头来呢？谁记得在哪里，发生过什么？在《国王》这部影片里，消退的图像和退化的声音述说着历史和记忆。

暂无剧情简介