聲譽日隆的醫生與妻子漸行漸遠，繼而戀上了跳舞女郎，和她搬到鄉下雙宿雙棲。兩人遇上失明的畫家，醫生治好了畫家的雙眼，而女郎則愛上了復明的畫家，直至畫家的眼睛再度失明……北海岸邊對比強烈的光影，襯托着生死愛戀的掙扎。茂瑙不斷反覆講述的三角戀愛和良心角力故事，在他這部最早的傳世作品中已經可見。改編自丹麥劇作家夏里亞‧布洛的作品《勝利者》。

Two friends, one a musician the other constantly depressed wander around Greece and France till they get to Paris without a penny to their name. Here they spend nights in the underground, and squat in houses with the African immigrants. One day they both fall in love with Mathilde a blond dancer and follow her to New York.

从小就喜爱表演的菲利普·帕特 （ 约瑟夫·高登-莱维特 饰）长大后成为法国杂技名人，他来到纽约，想要在摩天大厦之间走钢索的梦想，在遭遇了一系列的怀疑、误解、受伤之后，在精神导师帕帕·鲁迪 （ 本·金斯利 饰）的协助下，依然坚定地站在了世贸大楼之间的钢索之上。众目睽睽下，垫钢索的木块突然粉碎，在众人的惊呼声中，400多米高空之上的他，是否可以完成自己的梦想 。

从小就喜爱表演的菲利普·帕特 （ 约瑟夫·高登-莱维特 饰）长大后成为法国杂技名人，他来到纽约，想要在摩天大厦之间走钢索的梦想，在遭遇了一系列的怀疑、误解、受伤之后，在精神导师帕帕·鲁迪 （ 本·金斯利 饰）的协助下，依然坚定地站在了世贸大楼之间的钢索之上。众目睽睽下，垫钢索的木块突然粉碎，在众人的惊呼声中，400多米高空之上的他，是否可以完成自己的梦想 。

影片翻拍自2009年获奥斯卡最佳纪录长片大奖的《走钢丝的人》，讲述1974年法国杂技艺术家菲利普-帕特（Philippe Petit）的经历，他在纽约世贸大楼间搭钢索…

前澳门司警梁镜晖（林家栋饰）在旁人的眼里是个偏执的怪人，每天不苟言笑。经常购买各种不同的香料，躲在自己的小屋里查寻着什么。还时常独坐在固定的茶楼里喃喃自语。

讲述一名警察的唯一亲人——妹妹被人重伤，生死不明，而其本人也被人用“心理催眠法”而患上精神分裂症，离开了警队，后来在同是警察的女朋友帮助下，终…

This would definitely not have been my kind of movie, but my husband saw it on TV and said it was really good. So, on his recommendation, I bought a copy, since I didn't know if it would ever be on TV again. I had never heard of anybody in it except Armand Assante. At first I had a hard time getting into the story, because the first part of the movie is a jumble of images-- and it doesn't make much sense. It is only later in the movie that it all comes together. The scene-cutting- if that's what it's called, is a bit jarring-- it sometimes looks as if a few frames have been cut out of each scene, and the scenes are jerky--but I guess that was done to add to the unusualness (if that's a word). The story veers here and there, and just about the time you have it all figured out, everything turns upside down and you have to readjust your thinking as to who is the bad guy and who is not. Or bad woman. The acting is very good-- I kept thinking how much Norman Reedus looks like Leo Decaprio. The ending was a real twist, totally unexpected, which I liked. A good show.

三位电影制作者的跨代约束，他们寻求替代他们固有的权力结构的可能性。每个女人都像伸出援助之手一样，把目光延伸到她不在的主题上。韦弗（为芭芭拉）成长于玛雅德伦和芭芭拉汉默的废弃电影项目。1975年，在一个摩托车旅行锤的最远点被击中，来到危地马拉，在1950年代的海地，德伦思考了失败、遭遇和开始。 　　vever是海地伏都教中用来调用一个LOA或上帝的象征性绘画。 　　A cross-generational binding of three filmmakers seeking alternative possibilities to the power structures they are inherently part of. Each woman extends her gaze like an offered hand to a subject she is outside of. Vever (for Barbara) grew out of the abandoned film projects of Maya Deren and Barbara Hammer. Shot at the furthest point of a motorcycle trip Hammer took to Guatemala in 1975, and laced through with Deren’s reflections on failure, encounter, and initiation in 1950s Haiti. 　　A vever is a symbolic drawing used in Haitian Voodoo to invoke a Loa, or god.

该剧改编自满碧乔的同名小说，讲述了三国时期“江东小霸王”孙策与“江左周郎”周瑜一起白手起家，最终不仅重振江东，初创吴国基业，还收获了美好的爱情，悬案也最终得到昭雪的故事。