第七届中国电影导演协会-青葱计划-十强项目 　　火山即将喷发的传言，笼罩着建设在休眠火山群下的小镇。多年未曾谋面的父女，生活没有交集，却仿佛被什么同时牵动着......

火山即将喷发的预言，笼罩着建设在休眠火山群下的小镇。多年未曾谋面的父女，生活没有交集，却仿佛被什么同时牵动着：出租车司机黎光，每日拉四方游客至火山温泉，最近却时常怀想过去在文工团吹小号的日子，那时他称之为“自由”。时逢“秋老虎”，燥热的天气使他难安，一个火山与牙齿的梦境侵蚀着他；火山博物馆讲解员黎豆，每日为四方游客介绍火山温泉，讲解词总是呼应她的现实生活，她想要离开小镇，去看真正的“世界”。时逢“倒春寒”，回冷的天气使她审视自己的生活，以及同样出现在她生活中的，那个火山与牙齿的梦境。去与留，相见与怀念，过去与现在......个体在“新陈代谢”着，城镇在不断建设中。“火山真的会喷发吗?“疑问游荡在人们心中。

In an underground facility, five scientists wake from cryosleep with no memory of who they are or how long they've been asleep. They soon make a shocking realization: a killer is hunting them down there, and may even be hiding among them.

《火山》的故事发生在大理双廊镇伙山村，来自上海的艺术家沈见华和妻子秋秋、女儿莺莺移居在这里。他们住在一个安静的山头上，沈老师构思着自己的创作，秋秋幸福的等待着第二个孩子的诞生。几年前一个偶然的机会，沈老师发现这里的白族老太太有很好的色彩和造型天赋，于是他指导老太太们画起了农民画。当地的小伙子定龙，在几年前拜沈老师为师父，学习摄影和绘画，同时也担任了农民画社的社长……日子在苍山洱海间缓慢地流过，很多事情像是一成不变，但很多事情又在悄悄的变化着。

Hannes is an old man who has grown apart from his children. Recently retired when his wife gets ill he tries to reconcile with them and to atone for his cold demeanor in the past.

An exploration into the life of Charles Dickens after he survived a deadly train crash in 1865, and whether the incident could have possibly turned him into a killer

An exploration into the life of Charles Dickens after he survived a deadly train crash in 1865, and whether the incident could have possibly turned him into a killer

本片要帶您深入火山之內，看看太平洋沿岸的地震活動。鏡頭將帶您去看看智利火山的形成過程，以及1980年聖海倫火山爆發時的壯觀場面，並利用電腦動畫模擬地心狀況，重現導致火山爆發或是地震的地心力量。

古斯（吉约姆·卡内 Guillaume Canet 饰）患有休眠症，他会在毫无征兆的情况下，在任何场所沉沉的睡去，任谁也喊不醒。这怪病让他丢掉了无数份工作，妻子也十分的崩溃，他希望古斯能够将病治好，找一份正经工作，养家糊口过上正常人的生活。实际上，古斯有一个梦想，那就是以漫画的形式将自己睡梦中的世界表现出来，只是因为缺乏外界的支持，这个梦想只能作罢。 　　为了治病，古斯找到了普金医生（吉约姆·高丽安 Guillaume Gallienne 饰），当普京医生得知了古斯的梦想后，他深深的被打动了，因为他曾经的梦想就是成为一名漫画家。古斯的漫画终于诞生，但很快，这天马行空的奇思妙想就引发了一连串的勾心斗角。

A mortuary in Taiwan stores the bodies of deceased children whose parents, for whatever reason, have disappeared. Their remains are kept at the top of a freezer, sometimes for years, until the funeral home organizes a ceremony. Houses and horses made of paper are burned to accompany the children on their solitary journey to the afterlife. 　　This intriguing film successfully evokes the transitional world that these abandoned children have inhabited for far too long. We see a young child scampering around aimlessly in the funeral home, and the staff chatting casually in the dressing room. These everyday scenes are interspersed with more enigmatic imagery—sometimes in negative—of young people dancing in front of a blazing fire, and another wandering child, who now seems less aimless. 　　In this way, the short film depicts a transitional ritual that is necessary to bring peace to lost souls. An elegantly realized, sorrowful yet hopeful tribute.