Treasures Of The Indus is 3 x 60’ episodes made by Tern TV, which tell the story of the Indian Sub-Continent through the treasures that have shaped the modern Indian world. From the plains of Pakistan to the foothills of the Himalayas, from Northern India and Rajasthan to the deep South and Tamil Nadu, Dr Sona Datta explores this vast melting pot of diverse civilisations, religions, cultures and glorious landscapes that has given us some of the greatest artistic golden ages on earth. 　　The series will chart the history of the Indus Valley, telling the relatively unknown story that stretches back 4,500 years to the Ancient Indus civilisation who gave us, amongst other things, the decimal system. Sona explores the art of the Mughals, who created the most famous and dazzling empire that India has ever seen, from the Taj Mahal to fabulously intricate miniatures of court life. She questions whether the Mughals were trying to impose their own religion of Islam or indeed whether they were open to the religion and art of the country they were trying to conquer; and she discovers some of the 33,000 sacred temples hewn from rock, sandstone and marble in the southern Indian state of Tamil Nadu.

眼前的父亲让Juan充满了疑问。为什么他整天都在睡觉？为什么他只能在晚上钓鱼，而且再也不给自己讲故事了？河上漂泊的日子，安静、孤独又漫长，于是Juan决定潜入黑暗之中寻找答案。在梦境与现实之间，他终于找到了真相。

眼前的父亲让Juan充满了疑问。为什么他整天都在睡觉？为什么他只能在晚上钓鱼，而且再也不给自己讲故事了？河上漂泊的日子，安静、孤独又漫长，于是Juan决定潜入黑暗之中寻找答案。在梦境与现实之间，他终于找到了真相。

当人们仅仅满足于讨论县中，真实的县中只是沉默地呆在远方，像所有那些他们并不真正了解的陌生人一样。每年有数十名志愿者，从城市来到县中，驻扎在学校里的“PEER空间”。在宝贵的一学期中，他们用生命去感受真实的县中生活，寻找答案，然后用自己的声音去回答那个问题：什么是县中？

影片讲述郊区小镇上的一名男子，跟他的情妇（同时也是好朋友的妻子）玩性虐待游戏时不慎杀死对方，之后难以忍受自我谴责而准备投案自首，但周遭的人（包括他的妻子和朋友们）都不愿接受这个事实。

出身于克利夫兰的杀手弗兰克（Allen Baron 饰）在圣诞前夕接到了一份新的工作，他再次孤身一人回到曾经熟悉的城市，这次的目标是二流企业的老板。弗兰克每日跟踪对方，寻找下手机会并托付别人准备手枪。沉默寡言的弗兰克拒绝与别人沟通，在饭店偶遇的熟人让他只想逃避，但旧日相识劳拉的出现点燃了他仅存的一点热情，不过弗兰克却无法让对方接受自己。联系人迟迟没能提供手枪让弗兰克一怒之下杀了他。惊慌失措的弗兰克致电雇主，试图终止合作，电话另一头却大为光火，将弗兰克推上了不归路…… 　　这部电影始终贯穿画外音解说，是导演、编剧兼主演Allen Baron的新尝试。

"Your father passed away. Give us a call immediately." The message in Kawase's cell phone informs her of her father's death. 　　More than a year has passed since his death. Also 8 years since Embracing in which Kawase took a camera to film her journey to find her father. She watches Embracing with her friends as if she mourns her father's death, departure from her father. Watching, throughout the film, the repetitive, momentary interviews of people who were involved with him before his death as well as her real mother and her grandmother, Kawase bears unfocused and disconsolate feelings. 　　All of a sudden, she gets an idea of having a tattoo, the same tattoo her father had through his life, so as to, she thinks, discover the family bond, and then she visits a tattoo artist. The story accelerates from here, and brings the audience to the climax. Is this really a documentary or fiction? Despite this confusion, the film goes on and asks us, "What is love for you?" 　　At the Locarno International Film Festival in 2001, the film was highly praised for her original film style, the mixed form of documentary and fiction, in which her deep loneliness is realistically presented. The film has been shown more than 30 countries, and now its distribution right, after being produced and screened by ARTE France along with some other films by, for example, Sokurov, has been terminated, and the film will be screened in Japan. 　　This is a must-see, as of today, Kawase's culmination as an auteur. The title Kya Ka Ra Ba A is a Buddhist term, kya - the sky, ka - wind, ra - fire, ba - water, and a - earth, all of which, altogether, means the world composed of those elements.

搬到一个偏远的小镇多年后，前警察皮帕在家中发现一具尸体，也因此重返她以为已经远离的黑暗世界

在炙热的阳光下，阿德尔（Adel）和莫伊斯（Moïse）努力面对父亲的离世。然而，随着悲伤逐渐演变成执念，这对少年兄弟之间的裂痕也不断扩大，威胁着要拆散他们。

灼阳之下，少年阿代尔与莫伊兹挣扎于丧父之痛。当哀伤渐成执念，兄弟裂隙日深——这场青春期的精神割席，终将吞噬最后的手足羁绊。