Ukrainian filmmaker Kira Muratova offers a darkly comical look at everyday cruelty in these three savage tales. The first, "Boiler Room No. 6" is based on a story by Yevgeny Golubenko and takes place with in a blue-tinted boiler room where a panic-stricken resident of a communal apartment has dragged the body of his neighbor, a young woman he killed over an argument about a bar of soap. There he beseeches the talkative poet, who tends the massive furnace, to help him dispose of the body. The nearly surreal "Ophelia," the second story, centers on the vengeance of the title woman, a blonde beauty who works in a maternity hospital. One day she sneaks into a records room and learns the names of every mother in town who has given a baby up for adoption. Ophelia was one of these babies and she is still angry. She finds one of the mothers and strangles her. She then finds her own biological mother and pushes her off a dock. The third vignette, "The Maiden and Death" follows a winsome little girl who tires of being constantly admonished by her well-meaning, but wearisome, paralyzed grandfather. He says the word "no" once too often and she retaliates by slipping rat poison into his tea. ~ Sandra Brennan, All Movie Guide

Ukrainian filmmaker Kira Muratova offers a darkly comical look at everyday cruelty in these three savage tales. The first, "Boiler Room No. 6" is based on a story by Yevgeny Golubenko and takes place with in a blue-tinted boiler room where a panic-stricken resident of a communal apartment has dragged the body of his neighbor, a young woman he killed over an argument about a bar of soap. There he beseeches the talkative poet, who tends the massive furnace, to help him dispose of the body. The nearly surreal "Ophelia," the second story, centers on the vengeance of the title woman, a blonde beauty who works in a maternity hospital. One day she sneaks into a records room and learns the names of every mother in town who has given a baby up for adoption. Ophelia was one of these babies and she is still angry. She finds one of the mothers and strangles her. She then finds her own biological mother and pushes her off a dock. The third vignette, "The Maiden and Death" follows a winsome little girl who tires of being constantly admonished by her well-meaning, but wearisome, paralyzed grandfather. He says the word "no" once too often and she retaliates by slipping rat poison into his tea. ~ Sandra Brennan, All Movie Guide

加入证人保护计划之前，银行抢劫犯米克尔（尼古拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）对警方提了三个要求，而这三个要求传递出的信息表明这次银行抢劫并不像看上去那样简单……

水果之间的爆笑对话

水果之间的爆笑对话

卡洛斯·绍拉是西班牙国宝级导演，2022年10月，西班牙电影艺术与科学学会宣布将会授予绍拉戈雅奖终身成就奖，然而导演最终没能在颁奖典礼上亲手捧起奖杯，在本片上映一周后，绍拉离世。导演在片中通过与胡安·路易斯·阿苏亚加（西班牙国家人类进化研究所首席科学家）、米格尔·巴塞洛（艺术家）和苏索 33（城市设计师） 等学者和艺术家的交流，探讨了从史前洞穴的最初图形到最前卫的城市涂鸦表现形式，描绘出一副墙壁艺术演变的创意画卷。

卡洛斯·绍拉是西班牙国宝级导演，2022年10月，西班牙电影艺术与科学学会宣布将会授予绍拉戈雅奖终身成就奖，然而导演最终没能在颁奖典礼上亲手捧起奖杯，在本片上映一周后，绍拉离世。导演在片中通过与胡安·路易斯·阿苏亚加（西班牙国家人类进化研究所首席科学家）、米格尔·巴塞洛（艺术家）和苏索 33（城市设计师） 等学者和艺术家的交流，探讨了从史前洞穴的最初图形到最前卫的城市涂鸦表现形式，描绘出一副墙壁艺术演变的创意画卷。

全剧以睡虎地秦简中"为吏之道"的廉洁思想为主线，通过历史场景还原与三重时空交织叙事，展现廉政文化的延续性。制作团队赴云梦博物馆实地调研，从建筑形制到礼仪规范均力求历史真实。首映礼运用数字人技术呈现秦代官吏"喜"的跨时空对话，并邀请陈铭、冯翔等嘉宾参与互动。该剧将湖北景区融入剧情，旨在推动文旅融合发展。

Ecological science fiction and natural philosophy in a beautiful and generous film about mushrooms and about what we can learn if we listen to nature. (Co-presented with Visions du Réel).

Ecological science fiction and natural philosophy in a beautiful and generous film about mushrooms and about what we can learn if we listen to nature. (Co-presented with Visions du Réel).