TRANSMITZVAH is a love story between siblings. They exhibit their wounds, exchange the pieces of each other’s puzzle, and complete (or start) the process of reaffirming their own identity. Rubén –the Singmans’ youngest son– challenges tradition by deciding to have a Bat Mitzvah instead of a Bar Mitzvah. Twenty years later, Rubén –now MUMY SINGER– returns to their hometown as a famous Yiddish singing star. After a sad event in the family, MUMY loses her voice and, with the help of her brother EDUARDO, tries to complete the path to adult life. A comedy with a jolly, playful, and musical dialogue about MUMY SINGER, and her trip to the past to make herself up, avoiding shortcuts and labels. The journey to who we really are can’t be avoided and must necessarily be taken.

意大利新锐导演维多利奥·摩洛（Vittorio Moroni）初执导筒便赢得满堂喝彩，荣获2006年意大利国家电影奖最佳新导演提名。 　　影片简介： 　　15岁的瓦伦蒂娜心中装满了希望、疑虑和问题。自从母亲死后，她便越来越依恋父亲，她父亲是个沉迷摄影的出租车司机。两父女的关系如胶似漆，容不下别人。日子一天天流逝，瓦伦蒂娜开始感觉到这种关系在不断受到限 制，还开始感到压抑。但当她最终有机会独自生活，做个大人的时候，她的努力遭到外来的妨害…… 　　导演维多利奥·摩洛尼1995年毕业于米兰电影学院的电影导演系。他为电视拍摄过许多工业及宣传上的纪录片和电视节目。作为一名剧作家，他分别于1998年和2003年获得了最佳原创故事剧本奖。《你要变成一匹狼》是他的第一部长片电影。

根据外媒最新报道，今年DC的《闪电侠》、《绿箭》和《超女》联动集《异世界》当中约翰·卫斯理·席柏(John Wesley Shipp)饰演的闪电侠将身穿1990年电视节目The Flash的闪电侠套装现身。 　　另外此次DC宇宙联动集还会看到鲁比·洛斯（Ruby Rose）饰演的《蝙蝠女侠》首次现身，将《哥谭》(Gotham)引入DC共享的宇宙，DC的《蝙蝠女侠》独立电影目前暂无确切档期。 　　CW电视网也公布了旗下三部DC超级英雄剧集的联动集播出日期。《绿箭侠》、《闪电侠》和《超女》，三部剧集的播出日期完全被打散：其中第一个播出联动集的是《闪电侠》，播出日期为12月9日；第二个播出的是《绿箭侠》，播出日期为12月10日；第三个播出的是《超女》，播出日期为12月11日。

根据外媒最新报道，今年DC的《闪电侠》、《绿箭》和《超女》联动集《异世界》当中约翰·卫斯理·席柏(John Wesley Shipp)饰演的闪电侠将身穿1990年电视节目The Flash的闪电侠套装现身。 　　另外此次DC宇宙联动集还会看到鲁比·洛斯（Ruby Rose）饰演的《蝙蝠女侠》首次现身，将《哥谭》(Gotham)引入DC共享的宇宙，DC的《蝙蝠女侠》独立电影目前暂无确切档期。 　　CW电视网也公布了旗下三部DC超级英雄剧集的联动集播出日期。《绿箭侠》、《闪电侠》和《超女》，三部剧集的播出日期完全被打散：其中第一个播出联动集的是《闪电侠》，播出日期为12月9日；第二个播出的是《绿箭侠》，播出日期为12月10日；第三个播出的是《超女》，播出日期为12月11日。

A young test subject named Chell awakes from a stasis in the Aperture Science Research Facility by a mysterious voice. Asked to perform certain "tests", Chell makes her way through various rooms and test chambers using the Aperture Science Handheld Portal Device, or the "Portal Gun". The tests challenge her wit and her skill and she is able to overcome various obstacles. In one test, she is asked to use a cube known as the Companion Cube to solve the tests. During the test, Chell grew attached to it but was asked to burn it in the end in order to progress. This proved to be a tough feat for Chell. Later, she learns she is being tested by a demonic robot with evil intentions who killed everyone in the facility using a deadly neurotoxin. After nearly being baked into a cake, Chell manages to escape and she works her way through various office rooms to find her mysterious perpetrator, GLaDOS (Genetic Life and Disk Operating System). After a violent battle in which Chell burns the morality cores put on GLaDOS, the super computer is defeated and Chell goes unconscious due to a violent explosion. Years pass, and Chell wakes up again and is greeted by Wheatley, who is a morality core. He isn't exactly the smartest of all the cores. He goes with her as they plan to escape the facility, which has fallen into complete disrepair. However, during their journey, Wheatley wakes GLaDOS who devises revenge. She makes Chell test once again with the "Portal Gun" and she destroys Wheatley, or so she thought. Wheatley came back to save the day and rescued Chell from the test chambers as they fled out of her reach in the older areas of Aperture. After devising a plan to foil her plans, Wheatley and Chell confront GLaDOS and eventually win by taking her out of control of the facility and putting Wheatley in charge. Little did she know, he was just as corrupt as she was and he sends Chell and GLaDOS in the form of a potato battery into the depths of Aperture down an elevator shaft. Down there, Chell learns about Old Aperture in the 1960's, 70's, and 80's up until Cave Johnson's, the owner, death. GLaDOS also learns as her previous life as Caroline, or Cave's wife. They work their way back up to the top levels and fight Wheatley and ultimately regain control of the facility. Pleased with Chell, GLaDOS decides to let her go free and sends her up to a corn field in the middle of nowhere where she is reunited with the Companion Cube.

《传送门》沿着西班牙加的斯省的瓜达莱特河展开，呈现了一部隐藏着其他景观的景观目录。这是一部跨维度门户（和明信片）的集合，实拍与动画相融合，创造出一个充满不可能的动植物群的世界。

A young test subject named Chell awakes from a stasis in the Aperture Science Research Facility by a mysterious voice. Asked to perform certain "tests", Chell makes her way through various rooms and test chambers using the Aperture Science Handheld Portal Device, or the "Portal Gun". The tests challenge her wit and her skill and she is able to overcome various obstacles. In one test, she is asked to use a cube known as the Companion Cube to solve the tests. During the test, Chell grew attached to it but was asked to burn it in the end in order to progress. This proved to be a tough feat for Chell. Later, she learns she is being tested by a demonic robot with evil intentions who killed everyone in the facility using a deadly neurotoxin. After nearly being baked into a cake, Chell manages to escape and she works her way through various office rooms to find her mysterious perpetrator, GLaDOS (Genetic Life and Disk Operating System). After a violent battle in which Chell burns the morality cores put on GLaDOS, the super computer is defeated and Chell goes unconscious due to a violent explosion. Years pass, and Chell wakes up again and is greeted by Wheatley, who is a morality core. He isn't exactly the smartest of all the cores. He goes with her as they plan to escape the facility, which has fallen into complete disrepair. However, during their journey, Wheatley wakes GLaDOS who devises revenge. She makes Chell test once again with the "Portal Gun" and she destroys Wheatley, or so she thought. Wheatley came back to save the day and rescued Chell from the test chambers as they fled out of her reach in the older areas of Aperture. After devising a plan to foil her plans, Wheatley and Chell confront GLaDOS and eventually win by taking her out of control of the facility and putting Wheatley in charge. Little did she know, he was just as corrupt as she was and he sends Chell and GLaDOS in the form of a potato battery into the depths of Aperture down an elevator shaft. Down there, Chell learns about Old Aperture in the 1960's, 70's, and 80's up until Cave Johnson's, the owner, death. GLaDOS also learns as her previous life as Caroline, or Cave's wife. They work their way back up to the top levels and fight Wheatley and ultimately regain control of the facility. Pleased with Chell, GLaDOS decides to let her go free and sends her up to a corn field in the middle of nowhere where she is reunited with the Companion Cube.

《传送门》沿着西班牙加的斯省的瓜达莱特河展开，呈现了一部隐藏着其他景观的景观目录。这是一部跨维度门户（和明信片）的集合，实拍与动画相融合，创造出一个充满不可能的动植物群的世界。

In the very near future, teleportation is commonplace and is used for intercity travel, having completely supplanted commercial aviation. Karan Varma, an IT employee, is returning to Pune from a business trip in Delhi. He gets into the departure booth in Delhi but never reaches Pune. His pregnant wife, Riya, must now fight the system to get him back. From dealing with lawyers to receiving threats and being publicly shamed by the media, she goes through an excruciating struggle but to no avail. In the end, she is presented with an offer: she can either receive an imperfect, 83% accurate clone of her husband or a large sum of money that will ensure a safe future for her child. 　　“The idea of this film came about when I was watching a video about teleportation on Youtube. It wasn’t too big a leap to imagine a future where such a technology becomes commonplace and then something goes wrong with it. But the motivation to place it within the structure of a satire stemmed from the way our interactions with technology have created a new kind of bureaucratic hell for us in the present. We have given up all of our data to tech giants and they know more about us than we even know about ourselves. It is only a matter of time before our bodies become nothing more than data as well. We live in a completely unbalanced system where the consumer is at the mercy of the corporation and has lost all of his agency. This film is a comment on our current relation with technology viewed through the lens of a sci-fi premise.”

在艺恩汇第二期电影创投沙龙上，还展示了四个电影项目，导演辛成江的《传送点》，讲述了寻宝游戏中虚拟世界与真实世界的故事，世界观颇为宏大。