A film about performance, poetry, music and the experience of people at war. Searching for meaning in the never-ending suffering and conflicts that echo the past, Turn in the Wound looks at the eternal quest for freedom in the face of oppression and military force. The voice of Patti Smith, reciting works by Artaud, Daumal and Rimbaud, joins the words of soldiers and people living in the combat zones in Ukraine and those of its President Volodymyr Zelenskyj.

A film about performance, poetry, music and the experience of people at war. Searching for meaning in the never-ending suffering and conflicts that echo the past, Turn in the Wound looks at the eternal quest for freedom in the face of oppression and military force. The voice of Patti Smith, reciting works by Artaud, Daumal and Rimbaud, joins the words of soldiers and people living in the combat zones in Ukraine and those of its President Volodymyr Zelenskyj.

美少年Eugène 在独自旅行中 邂逅了Pierre 两人迅速坠入性爱 从激恋到归去 都在那个夏日 一切似乎都是梦幻 如骄阳一般梦幻 又是一部寂寥的电影 没有旁白 没有配乐 大段的凝望 惆怅 沉默 静谧得如同生活一般真实 可生活真实么？虚妄才够真实！

尤Kahdem是一个男人谁几乎已经放弃了生命，判处低设防监狱农场，完全不具威胁性的环境，但仍然觉得有些人是可以改造的。在韩元WRON，办案员马特·佩里已经建立了一个独特的方案，通过让他们受伤的猛禽康复有责任修复破碎的男人 - 美丽的，可怕的骄傲鹰，隼和猫头鹰。排除万难，马特发生在尤他的头号测试案例，介绍他到Yasmine的，雄伟的楔尾鹰与一个2米的臂展。如果这两个可以驯服对方，一切皆有可能。

尤Kahdem是一个男人谁几乎已经放弃了生命，判处低设防监狱农场，完全不具威胁性的环境，但仍然觉得有些人是可以改造的。在韩元WRON，办案员马特·佩里已经建立了一个独特的方案，通过让他们受伤的猛禽康复有责任修复破碎的男人 - 美丽的，可怕的骄傲鹰，隼和猫头鹰。排除万难，马特发生在尤他的头号测试案例，介绍他到Yasmine的，雄伟的楔尾鹰与一个2米的臂展。如果这两个可以驯服对方，一切皆有可能。

南非科萨族的割礼仪式，是每名男孩成为男人前的人生大事。由割包皮到等待伤口复原，部族内的男子经历了一场雄性的成人礼。寂寞工人科拉尼，每两年都出任…

艾米·汉莫将主演一部未定名惊悚新片，巴巴克·安瓦里(《阴影之下》)执导，Annapurna Pictures出品。汉莫饰演新奥尔良的一名酒吧男招待，在捡到了某人遗…

The way Susan Purdue sees it, the patricide she’s been planning for so long isn’t just an act of revenge, it’s a necessity. When her father returns to the family home, all is long since prepared and the killing can finally occur. The rotten soul will pay for his unpardonable, incestuous transgressions against his daughter when she was just a child. But once her dad is good and buried in the backyard, Susan doesn’t find the closure she anticipated. Tormented by a host of demons and trapped in a dead-end job, she slides quietly into a deep madness that blurs the distinction between her banal reality and her nightmarish, sadomasochistic fantasies. To survive, she submits herself to a strict dominator for whom the worst tortures are the same as the most gentle caresses. 　　Tanya has a boyfriend, skips school and gets her kicks hanging out in sleazy dives. She’d be a pretty unremarkable teen if not for the identity crisis that has gnawed inside her for so long. Adopted at birth, she ties her troubles in life to the fact that she has no idea who her true parents are. One afternoon, her therapist gives her what she has always wanted—confidential documents from the orphanage at which she was so cruelly abandoned. While the dossier doesn’t identify her father, her mother’s name is marked down as Susan Purdue. The destinies of these two women will cross, leading them both into a parallel world of unearthly creatures of flesh and latex, a place where the most shocking perversions are realized. At the heart of this purgatory of the senses, the masks will fall and the unbearable truth will surface in a sea of blood. Tanya and Susan, each other’s mirror image, will have to face themselves. Abandon hope, all who enter here. 　　With the stunning documentaries TRANSFIGURED NIGHTS and BOUND FOR PLEASURE, presented at Fantasia in 2008, the fetishistic fascinations of New Zealand filmmaker David Blyth (creator of the cult hits DEATH WARMED UP, RED BLOODED AMERICAN GIRL) were revealed. His highly anticipated return to fiction explores his themes anew, transposed to the screen like a lucid fever dream. One proceeds with caution into his dark universe, where only the logic of fantasy is the guide. Blyth surprises by expertly echoing the atmospherics of Lynch while recalling ANGEL MINE, his debut feature film. Blyth punctuates this journey with violent images as bizarre as they are disturbing, from a painful castration to an unusually grotesque birth. Bewitching and phantasmagorical, dangerous and amazing, WOUND will leave its mark on you. 　　—Simon Laperrière (translated by Rupert Bottenberg)

A mysterious community of animals has chosen to live self-sufficiently in the basement of a church. Sheltered from humans, they engage in various rituals.