南州禁毒大队杨一鹏、之安等新老缉毒干警在“清剿行动”后继续围猎丰茂村在逃嫌犯牟森等人归案。2016年，杨一鹏紧盯落网后仍负隅顽抗的“清剿行动”首犯牟海东，一个神秘电话号码牵出三年前逃逸的制毒师牟森。警方逐步摸排出牟森重回南州的重要线索，阻止了其在海滩制毒的计划，打击了牟森团伙与香江买家的海上交易，取得阶段性胜利。倍受打击的牟森着手研制新型毒品“邮票”，隐蔽入市，危害年轻人群。杨一鹏化装侦察获重要线索，警方摧毁了远在湘南的制毒工厂。牟森不甘，收拢暗网大佬安迪，妄图在滇川重建毒品王国。杨一鹏与新警员之安感化牟森身边误入歧途的青年多仔成为线人，传递关键情报。杨一鹏与战友奔赴滇川，终将躲藏于暗网基地的牟森抓获，挫败其建立新毒品网络的企图。至此，三年多的围猎行动画上圆满句号。

南州禁毒大队的杨一鹏、之安等新老缉毒干警，在“清剿行动”结束后，持续对丰茂村在逃嫌犯牟森等人展开围猎，力求将他们缉拿归案。2016年，杨一鹏紧盯着落网后依旧负隅顽抗的“清剿行动”首犯牟海东，一个神秘电话号码让三年前逃逸的制毒师牟森浮出水面。警方逐步掌握了牟森重回南州的重要线索，成功阻止了他在海滩制毒的计划，还打击了牟森团伙与香江买家的海上交易，取得了阶段性的胜利。 遭受打击的牟森并未死心，开始着手研制新型毒品“邮票”，并让其隐蔽流入市场，危害年轻人群。杨一鹏通过化装侦察获取了重要线索，警方据此摧毁了远在湘南的制毒工厂。牟森仍不甘心，拉拢暗网大佬安迪，妄图在滇川重建毒品王国。 杨一鹏和新警员之安成功感化了牟森身边误入歧途的青年多仔，使其成为警方线人，传递关键情报。随后，杨一鹏与战友们奔赴滇川，最终将躲藏在暗网基地的牟森抓获，挫败了他建立新毒品网络的企图。至此，这场持续三年多的围猎行动圆满结束。

#电影前列线#“2016上影出品”发布会在上海举行。上影集团发布近30个影视剧项目，包括陈道明主演的反腐大戏《围猎》等。

#电影前列线#“2016上影出品”发布会在上海举行。上影集团发布近30个影视剧项目，包括陈道明主演的反腐大戏《围猎》等。

每天晚上只能眼睁睁看着她走进我的房间，她要乖乖站在门口守门。无理的女总裁为了让我升职加薪，每次都叫我去办公室帮我提高业绩。热心的学姐更拿着我的秘密威胁我，逼我在妻子面前叫她宝宝。而懦弱的我只能被这些女人任意摆布，只因我穿越到了这个女多男少的女尊世界。

《孤岛围猎》是上海尚世影业有限公司备案的12集当代公安题材网络剧

《孤岛围猎》是上海尚世影业有限公司备案的12集当代公安题材网络剧

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

Lennon observes on the sidelines of the thriving Columbus indie music scene, yearning for a personal connection that might shepherd her into the inner sanctum. Enter the enigmatic Bobbi Kitten, who takes Lennon under her confident wing—unwittingly entangling herself in a dark obsession. With Sylvie Mix, Bobbi Kitten.