家里收养的妹妹杀了妈妈并嫁祸快递员，儿子追查真相发现妹妹房间藏有剧毒物质，逐渐揭开真相。原来妹妹因患罕见疾病一直是幼儿园小孩模样，她爱慕父亲，为能与之相处杀了妈妈，最后服毒自尽，并在日记中写下真相..

汤姆爱上了他的新同事马萨，此时，他发现了自己用来掩饰的面具开始破碎，真实身份也随之暴露。能否找回真正的自我，还是继续活在阴影之中，是汤姆所要面对的问题

汤姆爱上了他的新同事马萨，此时，他发现了自己用来掩饰的面具开始破碎，真实身份也随之暴露。能否找回真正的自我，还是继续活在阴影之中，是汤姆所要面对的问题

普玛（坎娜楠·翁卡琼莱 Kannarun Wongkajornklai 饰）有着非常糟糕的情感经历，饱受伤害的心令普玛决定关闭心门，再也不让任何人有任何可乘之机。在工作中，普玛结识了名为格文（提拉达·迈特瓦拉育 Teeradetch Metawarayut 饰）的男子，格文拥有高大的身材和英俊的样貌，是一个万花丛中过片叶不沾身的花花公子。在上司的叮嘱下，普玛必须对格文言听计从，虽然这个男人的作风令普玛非常的瞧不上。 　　实际上，格文的真实身份，是全球著名婚恋公司的老板，而他来到泰国的目的，就是找到自己失散多年的母亲。母亲留给格文的唯一一样东西是一个铜盒子，普玛决定帮助格文共同寻找母亲的下落。

本剧改编自同名漫画，讲述了会泽真寻因为某种原因辞去了原来工作的公司，跳槽到别的公司。优秀且待人和善的真寻，在新的职场过着一帆风顺的日子。在这样的真寻面前，出现了分居中的丈夫五十岚直人。不知道真寻跳槽地点的直人，偶然间跳槽到了同一家公司。总之，两个人一起工作了。为了不让周围的人在意，她决定伪装成别人来工作，但也因此被卷入了更多的恋爱事件中！？离婚还是自首？擦身而过，无法坦诚相待的两人将何去何从——

会泽真寻辞职后转职到另一家公司。优秀且待人亲切的真寻在新职场顺利开始了工作。就在此时，分居中的丈夫五十岚直人出现了……不知道真寻转职去向的直人偶然间也转职到了同一家公司……两人就这样开始一起工作了。为了不让周围的人察觉，他们假装是陌生人，但因为这个原因，他们卷入了更多的恋爱风波……无法坦诚相待的两人的纠结心情让爱情喜剧上演。两人的关系将走向何处？

2011年香港亚洲电影节参展动画导演延尚浩，继前作拿「猪」开玩笑，以变态到极点的智慧影射现实的残酷生活后，又一部极具批判性的作品，成为本届多伦多影展唯一入围亚洲动画，讽刺教会的虚伪。人是否一定忠奸分明？教会的领袖是否一定好人？在韩国一个小镇，有预言指水灾即将降临。为人敬重的教会长老，誓要将信念和希望带给信众。只要他们肯奉献金钱，就可以带领他们重建家园。然而，筹务经费的计划，却被一名声名欠佳的镇民质疑。二人展开一场「形象」之战，背后却各有目的。

A convict returns to his home town to again torture his family, face his neighbors and try to destroy the local religious fanatics and their plans to keep money from the village people.

Does the country have to compensate for a case against those socially weak? 　　Sexual favors and harassment by the high class society, weak females of the society send them a warning. 　　So-yeon is a college student who sues the government for not being able to protect the socially weak from sexual favors. She goes on national television to talk about this case. Hae-yeong is a broadcasting anchor who hosts the show and the panel starts to battle about the matter of sexual favors. Uncensored words go back and forth as the debate goes on and the initial topic of sexual favors turns into a talk about the basic laws that the government must live by and its problems as well as the duplicity of the higher social class. The debate turns into harsh words and pointing fingers while the director of the broadcasting station instigates them to do better for improved viewing percentage . So-yeon is alone in the hall after everyone’s left and she opens her mouth 　　“There's no seduction I can't refuse...”

Does the country have to compensate for a case against those socially weak? 　　Sexual favors and harassment by the high class society, weak females of the society send them a warning. 　　So-yeon is a college student who sues the government for not being able to protect the socially weak from sexual favors. She goes on national television to talk about this case. Hae-yeong is a broadcasting anchor who hosts the show and the panel starts to battle about the matter of sexual favors. Uncensored words go back and forth as the debate goes on and the initial topic of sexual favors turns into a talk about the basic laws that the government must live by and its problems as well as the duplicity of the higher social class. The debate turns into harsh words and pointing fingers while the director of the broadcasting station instigates them to do better for improved viewing percentage . So-yeon is alone in the hall after everyone’s left and she opens her mouth 　　“There's no seduction I can't refuse...”