黄飞鸿的四个徒弟在香港铲除恶霸的故事。

黄飞鸿的四个徒弟在香港铲除恶霸的故事。

武则天时，骆宾王之弟宏勋偕仆余千访友归家，路遇朝官王伦门客贺世赖。时世赖刚谋得县令职，无端仗势诬骆宏勋为盗，捕之欲治罪。余千见主人被诬，逃至骆宾王处求援。骆宾王代弟申冤，奏准当朝，由狄仁杰提解贺、骆入京勘审。骆宏勋被押经四杰村，为仇家朱龙兄弟获悉，强劫宏勋入村欲加害。余千跟踪赶至，却因朱龙兄弟防守严密，无法搭救。后得云游僧消月及鲍赐安父女之助，夜入四杰村，救出了骆宏勋。朱龙兄弟发觉后追踪而来，双方发生恶斗。适义侠花振芳至，与鲍氏父女合力诛杀朱龙兄弟。

罗伯特．奥尔德里奇执导的本片，讲述富商查克（弗兰克．辛纳屈饰）载运十万美金去投资渡轮，半路遇劫，被同车的乔（迪安．马丁饰）所救并抢走该笔钱。乔将赃款部分交孤儿院其余存入哈维（安妮塔．埃克伯格饰）的银行，哈维欲雇用枪手梅森劫回赃款，但是存入的赃款要取回必须依法办理，要冻结两年才可以取回。查克与乔谈判取回赃款，哈维却安排梅森在餐厅码头暗杀查克，被乔所救。镇上有艘老渡轮得乔资助整修经营赌场，但查克搜购码头使其无法上下客人。查克保险的货轮沉入海中，乔得知哈维以假海难诈领保险金，而恐吓哈维取得船坞。开幕时查克前来挑畔，两人打斗时发现沉船之迷，并合作将梅森、哈维绳之于法。

武则天时，骆宾王之弟宏勋偕仆余千访友归家，路遇朝官王伦门客贺世赖。时世赖刚谋得县令职，无端仗势诬骆宏勋为盗，捕之欲治罪。余千见主人被诬，逃至骆宾王处求援。骆宾王代弟申冤，奏准当朝，由狄仁杰提解贺、骆入京勘审。骆宏勋被押经四杰村，为仇家朱龙兄弟获悉，强劫宏勋入村欲加害。余千跟踪赶至，却因朱龙兄弟防守严密，无法搭救。后得云游僧消月及鲍赐安父女之助，夜入四杰村，救出了骆宏勋。朱龙兄弟发觉后追踪而来，双方发生恶斗。适义侠花振芳至，与鲍氏父女合力诛杀朱龙兄弟。

罗伯特．奥尔德里奇执导的本片，讲述富商查克（弗兰克．辛纳屈饰）载运十万美金去投资渡轮，半路遇劫，被同车的乔（迪安．马丁饰）所救并抢走该笔钱。乔将赃款部分交孤儿院其余存入哈维（安妮塔．埃克伯格饰）的银行，哈维欲雇用枪手梅森劫回赃款，但是存入的赃款要取回必须依法办理，要冻结两年才可以取回。查克与乔谈判取回赃款，哈维却安排梅森在餐厅码头暗杀查克，被乔所救。镇上有艘老渡轮得乔资助整修经营赌场，但查克搜购码头使其无法上下客人。查克保险的货轮沉入海中，乔得知哈维以假海难诈领保险金，而恐吓哈维取得船坞。开幕时查克前来挑畔，两人打斗时发现沉船之迷，并合作将梅森、哈维绳之于法。

影片取材于广为流传的“北新桥锁龙井”传说，揭开千年古井下隐藏的诡异传说真相。传说明朝年间，高僧姚广孝携鲁班四杰将祸世妖龙封印于锁龙井。百年后，锁龙井下异象丛生时现龙吟，妖龙破印复仇之说渐起，井底浮现巨大地宫，贪心者迷恋龙宫宝藏前赴后继下井摸金，多死于非命。鲁班四杰后人再次集结，探秘锁龙井下真相，经历杀机重重的幻象迷阵、诡戾傀儡，险象环生后，幕后操纵之人终于现身……

影片取材于广为流传的“北新桥锁龙井”传说，揭开千年古井下隐藏的诡异传说真相。传说明朝年间，高僧姚广孝携鲁班四杰将祸世妖龙封印于锁龙井。百年后，锁龙井下异象丛生时现龙吟，妖龙破印复仇之说渐起，井底浮现巨大地宫，贪心者迷恋龙宫宝藏前赴后继下井摸金，多死于非命。鲁班四杰后人再次集结，探秘锁龙井下真相，经历杀机重重的幻象迷阵、诡戾傀儡，险象环生后，幕后操纵之人终于现身……

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. 　　The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. 　　What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.