To compliment a new series on England, this one-off special follows poet Benjamin Zephaniah as he tours Birmingham recalling the influence the city had on him as he grew up there and its continued influence on his work and life today. Charged with composing a poem about the city he revisits the areas of his youth, from Soho Road in Handsworth to Villa Park in Witton - home of Aston Villa football club. As his personal journey continues he visits his old schools and stomping grounds looking for inspiration. Written by bob the moo

总体而言，这个想法是让种族、政治、人种和国家变成不存在的事物……就像椭圆形、方形、色块、衣柜一样！你可能会认为他真的是“某个人”，真的是“人民的代表”，但实际上他只是踢脚线、咖啡渍印的代表，仅此而已。总体来说，政治抨击应该仅仅被视为……

乔治亚人唱起一首传统歌曲，这首歌竟会无意间提及萨达姆之死。电影里的人物好奇地讲述着生命中奇妙的转折。这些谈话跨越重洋，传到了日本武士、诗人曼德尔斯塔姆、Kliuev 和 Gorodezky 的耳中，也传到了 1930 年的莫斯科以及一位俄国画家那里，这位画家传承了打渔技术。影片展现了所有超现实艺人与权力关系的惊鸿瞬间。影片的第二部分“地平线单元”在 2011 年威尼斯电影节上引发了丑闻。导演表示这部非现实电影旨在将技术与现代艺术的语言特色运用到电影中。这部电影包含多种语言形式，每一部分的台词采用地球上不同角落特有的语言。电影中这些语言相互交织，构成了对现代文明的批判，探讨了东方文明的残暴以及欧洲民主缺乏决策的问题。

琼·米罗（Joan Miró，1893 - 1983）是20世纪最杰出的画家之一。来自琼·米罗生平的12个片段将为伯明翰装饰图案打造新样式。这里有加泰罗尼亚人的热情与超现实主义，有因循守旧与法西斯主义，还有对上帝的爱与对女人的爱。这些都是主人公所经历并融入其艺术创作中的主题。创作者们秉持着他们诗意而又不失诙谐的风格……

The film features 85-year-old Mr. Armstrong, an African American barber in Birmingham, Alabama, as he experiences the manifestation of an unimaginable dream: the election of the first African American president. This colorful and courageous activist of the Civil Rights era casts his vote, celebrates Obama's victory and proudly unfurls the American flag as he is inducted into the Foot Soldiers Hall of Fame. Mr. Armstrong links the magnitude of the present paradigm shift with challenges he faced in the past: from his sons' integration into an all white school to the Bloody Sunday march for voting rights. The documentary raises questions about democracy and patriotism in the face of adversity, and the vigilance and action required to ensure continued forward movement to end racial injustice. One of eight Documentary Short Subject contenders for the 84th Academy Awards®

重金属乐队黑色安息日于2017年2月4日在家乡伯明翰举行了他们的告别演出，这场演出标志着乐队传奇生涯的终结。

《华夏掠影》内容涵盖了中国大地东南西北的风情地貌，采用了包括航拍在内的各种手法和360°的镜头画面，使观众有如临其境的感受。画面忽而飞奔，忽而漫步，忽而腾空，忽而俯冲；声音由远而近，由近及远；景物迎面而来，转而从身旁逝去，观众的情绪也随着画面变化而起伏。国外观众仿佛跨越了数千年时间和数千里距离，既看到中国的历史，又可想象到它的未来。当时，为了观众的方便和安全，电影馆内没有座椅，而是设置了一排排的栏杆扶手。这种360°环幕电影确实把我们所拍摄的场景表现得淋漓尽致，生动展现在观众面前。当时的国际展览局主席在观看影片之后说：“中国馆抓住了本届世博会的主题，环幕电影本身体现了新技术与娱乐的结合，看过后令人心情振奋。”

装置艺术，混合现实

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