2011年香港亚洲电影节参展动画导演延尚浩，继前作拿「猪」开玩笑，以变态到极点的智慧影射现实的残酷生活后，又一部极具批判性的作品，成为本届多伦多影…

入围塔林电影节影评人之选竞赛。 　　Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)