一九九五年，归国华侨董哲因欠债去台湾，出售跟亡妻创立的“回家”饭馆，留下大女儿董意和二女儿董情在北京。董意成立“寻味”菜馆，经过打拼，成为北京饮食界女强人。二十年后，父亲带着同父异母的三妹董芯回京居住，重掌“寻味”集团。一直感情空白的董意失意于工作，却遇上心仪的南韩食评家金文浩。后金文浩投归死敌李察的“回家”集团。董情发现母亲因她而死的真相后，一蹶不振、选择自残。董意面对事业、亲情和爱情的打击下，决心放弃事业，跟金文浩在一起。最后，董芯打败奸诈的李察。董情也奇迹苏醒。董氏三姐妹修补了家庭关系。

一九九五年，归国华侨董哲因欠债去台湾，出售跟亡妻创立的“回家”饭馆，留下大女儿董意和二女儿董情在北京。董意成立“寻味”菜馆，经过打拼，成为北京饮食界女强人。二十年后，父亲带着同父异母的三妹董芯回京居住，重掌“寻味”集团。一直感情空白的董意失意于工作，却遇上心仪的南韩食评家金文浩。后金文浩投归死敌李察的“回家”集团。董情发现母亲因她而死的真相后，一蹶不振、选择自残。董意面对事业、亲情和爱情的打击下，决心放弃事业，跟金文浩在一起。最后，董芯打败奸诈的李察。董情也奇迹苏醒。董氏三姐妹修补了家庭关系。

阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

剧情讲述大乾朝最年轻的不良帅江湖因遭奸臣构陷导致家破人亡，未能护送关键证人韩阳导致忠将胡将军蒙冤，自责隐退江湖流浪十年，后因报恩卷入朝廷悬案，与旧识夜雨共同对抗麟鬼阁恶势力，救下孤女蓉儿并揭开阴谋。全剧以双男主设定呈现江湖侠义与朝堂纷争交织的冒险故事，剧中包含竹林打戏等武侠场景，展现江湖夜雨踏险途执手救赎的历程。

曾是不良人首领的江湖，因未能护送关键证人韩阳而使忠将胡将军蒙冤，不良人兄弟也因此受害。多年后，卢家赏识他的武艺，他尽心报恩，后独自漂泊，渴望过平凡生活。然而，遇到麟鬼阁的恶徒让他再度卷入江湖风波。江湖救下孤女蓉儿，与旧识夜雨携手相伴，两人心怀正义、共担艰险。

For mysterious reasons, two watchmen are made to guard access to the river in an area of Lausanne where retirees and immigrant families live. Through the different people they encounter, a territory takes shape and a friendship is born. Tizian Büchi creates a fable—part documentary, part fiction and tinged with magical realism—to subtly question our surveillance society.

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. 　　NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

4.3 사건으로 상처 입은 제주도와 제주사람들... 　　그리고 지금 아프게 부서져 가는 강정마을의 이야기 　　제주시 애월읍 납읍에 살고 계신 강상희 할머니, 할머니의 남편 김봉수는 4.3으로 희생되었다. 해군기지 문제로 떠들썩한 서귀포시 강정마을. ‘4.3의 원혼이 통곡한다’ 와 같은 수많은 현수막이 제주 4.3과 해군기지 문제가 다르지 않음을 말한다. 카메라는 유령처럼 제주도 납읍리, 가시리, 강정마을, 일본 오사카 등을 돌며 그 흔적과 균열들을 드러내기 시작하고 다시 강상희 할머니가 혼자 살고 있는 집 앞마당으로 돌아온다. 언제부터인지 알 수 없지만 잠자리 밑에 녹슨 톱을 두고 살아온 할머니의 삶... 가늠할 수 없는 깊은 슬픔을 짊어진 제주도와 제주사람들의 삶에서 녹슨 톱은 언제쯤 치워질 수 있을까. 　　Focusing on Mrs. Kang sang-hee's life, she lost her husband in Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Is land, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

A man, Vince, wakes up in the middle of a film shoot. He doesn't know what's going on or why he's there, but crew members tell him he's one of the actors in the film so he decides to just play along. During the shooting of one scene, one of the other actors, 122, accidentally kills most of the crew. Vince, 122 and the remaining crew decide to finish the film by themselves, even though there's no script, no sound equipment (they decide to make it a silent film) and no camera (they then decide to also make it a "blind" film). 　　Like his music, this first feature film of Quentin Dupieux (aka Mr. Oizo) is at the same time totally retarded and utterly brilliant. A calm yet demented piece of metafiction, examining the boundaries between film and reality in a dry, absurdly humorous way.