这是一部关于意大利导演费迪南多·巴尔迪（Ferdinando Baldi）职业生涯的纪录片，聚焦他在 exploitation 电影领域的贡献。巴尔迪以低成本、类型多样的电影闻名，作品涵盖意大利西部片、战争片和动作片等。 这部纪录片探讨了巴尔迪如何在预算有限的情况下，凭借创意和技巧拍摄出具有独特风格的电影，展现了他作为“低调匠人”的职业精神。

公牛费迪南德生在一个景色优美、恬静自在的农场里。与其他好斗的伙伴不同，费迪南德无比热爱大自然，清香的芳草和美丽的花朵是他的最爱。不过命运似乎就是一个玩笑，某天，一群人来到农场挑选斗牛表演的公牛。爱好和平的费迪南德本不可能入选，谁想阴差阳错出现的小蜜蜂竟让他展开从未有过的狂怒大暴走，也因此其出色的资质被斗牛侦探所发掘。可怜的费迪南德从此告别心爱的农场，身不由己走入了人声鼎沸的斗牛赛场。不知会有怎样的命运等待着他…… 　　本片荣获1939年奥斯卡金像奖最佳动画短片奖。

IMDB简介： 　　The clownish security chief of a West German business is obsessed with protecting his factory from fancied and real breaches, especially from groups such as The Red Army Faction. Ferdinand's paranoia and methods can't be contained by his company. The sympathetically-drawn Ferdinand's ludicrous actions recall those of the cynical, disastrous axis between fascism and big business in 1930's Europe. Highly controversial, biting satire of the rise of private security, from Alexander Kluge, the theoretical father of the New German Cinema, set during the mid-1970's when the left-wing underground and powerful corporations dragged a prosperous, liberal West Germany in separate directions. 3 years later, Rainer Werner Fassbinder took an even more controversial approach to similar issues in his powerful Dritte Generation, Die (1979). Written by David Stevens

IMDB简介： 　　The clownish security chief of a West German business is obsessed with protecting his factory from fancied and real breaches, especially from groups such as The Red Army Faction. Ferdinand's paranoia and methods can't be contained by his company. The sympathetically-drawn Ferdinand's ludicrous actions recall those of the cynical, disastrous axis between fascism and big business in 1930's Europe. Highly controversial, biting satire of the rise of private security, from Alexander Kluge, the theoretical father of the New German Cinema, set during the mid-1970's when the left-wing underground and powerful corporations dragged a prosperous, liberal West Germany in separate directions. 3 years later, Rainer Werner Fassbinder took an even more controversial approach to similar issues in his powerful Dritte Generation, Die (1979). Written by David Stevens

Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.

本片改编自小说家塞米诺夫的小说《针对主席的炸弹》。剧情如下：西德集团的总裁计划和某国进行一项秘密交易，换取有关原子弹的技术，总裁的儿子费迪南德.卢斯意识到了这项交易对于世界和平的严重性，他决定向克格勃报告这件事，克格勃总部收到消息后，派出了王牌特工施季里茨前往西德帮助卢斯执行任务......

在长途火车上，有十名乘客坐在卧铺车厢裹。其中有一名妓女、一对夫妇、一群女孩、一名警察和三名暴徒。这三个人成功地俭了警察的枪，还控制了火车上的几节车厢。很快就有人对乘客实施羞辱、和谋杀...

费尔迪南多·斯基亚纳对生活始终充满渴望，如今已是八十多岁的绅士，思维依旧活跃，满脑子都是离奇故事，甚至还曾几次与死神擦肩而过。 　　走进他的生活，便意味着追溯一段人生——这段人生的印记，是与20世纪文化界诸多巨匠的相遇，交织着深厚友谊，也萦绕着对摄影作为一种实践的意义、对如今创作影像仍能承载何种价值的追问。 　　斯基亚纳坚持摄影的独特性，不将其归入艺术形式之列。他说，摄影是另一回事。在这个影像似乎更多在遮蔽而非揭示、现实也濒临消失的时代，他认为摄影具有探寻现实的不可替代的作用。 　　斯基亚纳谈吐迷人，魅力难挡。我们会看到他在巴盖里亚之行中的身影：探访年轻时曾为其拍照的老友，想再为他们拍一次照。 　　我们会看到他在巴勒莫的家中，探寻莱昂纳多·夏夏的痕迹。 　　我们还会看到他在米兰，梳理自己的人生脉络，向我们娓娓道来，试图传达那种独特的特质——正是这种特质，让摄影成为一场奇妙的冒险，也成为一种宿命。

那布勒斯国王费尔迪南多在临终前对于自己一生的回忆，他曾经是一个玩劣少年专门闯祸，后来，年幼的费尔迪南多按照继承习惯成为那布勒斯新国王，为了巩固…

里约·费迪南德（Rio Ferdinand）透露了他的妻子丽贝卡（Rebecca）去世后独自抚养三个孩子的麻烦。