Gallivant is a 6,000-mile journey zig-zagging around the coast of Britain, which is both an experimental travelogue and an intensely personal story. Kötting begins the journey to bring Gladys, his 85-year old grandmother, and Eden, his 7-year old daughter, together. Gladys’s stamina is limited, and Eden has Joubert’s syndrome: she’s not expected to live to adulthood. Both are fragile, and the journey is an opportunity which may not be repeated.

本是程国公府的嫡小姐，却因父母遭人陷害，家破人亡。机缘巧合之下，成为了不生不死的“鬽”，蛰伏十年，踏雪归来，只为复仇。殊不知，在踏入程府的那一刻起，命运便和几个男子缠绕在一起……

本是程国公府的嫡小姐，却因父母遭人陷害，家破人亡。机缘巧合之下，成为了不生不死的“鬽”，蛰伏十年，踏雪归来，只为复仇。殊不知，在踏入程府的那一刻起，命运便和几个男子缠绕在一起……

改编自叶斐然作品《你被开除了！》。 　　恩师的一通电话让年轻女律师白端端自愿放弃升职机会，回到省城安海，与盛临律所合伙人季临相识。白端端早已听闻季临的诸多“奇葩”事迹，没想到这位事业上的对手就是自己一见钟情的对门邻居。因为父辈的经历，白端端一直坚持为劳动者发声，而季临只代理企业，他俩在一桩桩案件、一次次交锋中互相理解、吸引和靠近，最终成为并肩作战的伙伴，共同为建设法治文明而努力。

Gallivant is a 6,000-mile journey zig-zagging around the coast of Britain, which is both an experimental travelogue and an intensely personal story. Kötting begins the journey to bring Gladys, his 85-year old grandmother, and Eden, his 7-year old daughter, together. Gladys’s stamina is limited, and Eden has Joubert’s syndrome: she’s not expected to live to adulthood. Both are fragile, and the journey is an opportunity which may not be repeated.

改编自叶斐然作品《你被开除了！》。 　　恩师的一通电话让年轻女律师白端端自愿放弃升职机会，回到省城安海，与盛临律所合伙人季临相识。白端端早已听闻季临的诸多“奇葩”事迹，没想到这位事业上的对手就是自己一见钟情的对门邻居。因为父辈的经历，白端端一直坚持为劳动者发声，而季临只代理企业，他俩在一桩桩案件、一次次交锋中互相理解、吸引和靠近，最终成为并肩作战的伙伴，共同为建设法治文明而努力。

1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.

1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.