There was a slew of commemorative films, which sometimes sacrificed formal virtues for an emphasis on ideological interpretations and objectives: Jorge Fraga's 1968 La odisea del General José (The Odyssey of General José), José Massip's 1971 Páginas del diario de José Martí (Pages from the Diary of José Martí) and 1986's Baraguá, Pineda Barnet's Mella (1975) and Aquella larga noche (That Long Night) from 1979, and more. Some suffered from concepts divorced from their plots, suggesting that great themes do not always make for great films, or can promise depth while not penetrating beneath the surface. There were also films about the colonial past, of a type which popular wit dubbed negrometrajes (black subjects), of which the most outstanding were 1974's El otro Francisco (The Other Francisco), Rancheador (1976), Maluala (1979) and Plácido (1986) by Sergio Giral. This director's work, dedicated to the study of the African roots of the Cuban nationality from slavery days to those Africans' mulatto descendants, was interrupted after María Antonia by his 1990 emigration to the United States. 　　One of the most valuable parts of the Festival will be the tributes that, this year, will be dedicated to the professor, ideologist and filmmaker José Massip and to the distinguished producer Tomas Piard, who historically have been linked to the Plaza Cinema, assured Morales. 　　Cinema 23 y 12 is the chosen place for the ceremony that will be held the 4 of October with a photographic exhibition, allegorical to Massip and the projection of his movie Páginas del diario de José Martí (Pages of the Diary of Jose Marti), the 5 of October will be recognized Piard and will be showed his movie Espectros.

西班牙内战时期，人们为了逃离独裁统治而来到了法国。面对大量外来人口的突然涌入，法国当局将他们集中安置，然而生活区的条件十分艰苦。虽然有铁丝网的阻隔，画家何塞还是想尽办法与外界沟通，寻找他失散的伴侣，并且和一位守卫成为了好友。同时插画家出身的导演奥雷尔，最大程度地让何塞的画作重新散发光彩，将其流畅地融于影片之中，着重描绘在艰难逆境中艺术的力量和顽强抗争的精神，完美呼应了主人公之言：“美好的想法，如果不与美好的人相遇，就会消逝。”

何塞（Enrique Salanic 饰）是一名19岁的青年，生活在瓜地马拉市，和母亲过着相依为命的生活。在离开了何塞的父亲后，何塞的母亲终身未再嫁，因此，给她养老的沉重负担便落在了何塞的身上。比起赡养母亲，还有另一件事情让何塞更加的身心疲惫，那就是他是一名同性恋者，在隐藏这个秘密的同时，何塞还要想方设法的发泄深藏在内心里的欲望，充满了未知又惊险刺激的交友软件成为了他唯一的出口。 　　一次偶然中，何塞邂逅了名为路易斯的青年，一拍即合的两人很快就走到了一起。路易斯让何塞第一次品尝到了爱情的滋味，也让何塞对两人的未来开始产生了希望。

何塞（Enrique Salanic 饰）是一名19岁的青年，生活在瓜地马拉市，和母亲过着相依为命的生活。在离开了何塞的父亲后，何塞的母亲终身未再嫁，因此，给她养老的沉重负担便落在了何塞的身上。比起赡养母亲，还有另一件事情让何塞更加的身心疲惫，那就是他是一名同性恋者，在隐藏这个秘密的同时，何塞还要想方设法的发泄深藏在内心里的欲望，充满了未知又惊险刺激的交友软件成为了他唯一的出口。 　　一次偶然中，何塞邂逅了名为路易斯的青年，一拍即合的两人很快就走到了一起。路易斯让何塞第一次品尝到了爱情的滋味，也让何塞对两人的未来开始产生了希望。

这是一部探索阴谋理论的政治惊悚片，主角马泰是国营石油公司的总裁，被《时代》杂志称为凯撒以来最有权势的意大利人。当他于1962年死于神秘坠机事件后，居然没有人敢发表公开评论。马泰生前曾号召意大利经济摆脱外国垄断集团的控制，他的死亡背后究竟隐藏着什么？实际上在20年代初，墨索里尼已在意大利王国任要职。为进一步扫清政治道路上的障碍，是他密谋暗杀了议会中不断反对他、揭露他的法西斯党真实面貌的社会党议员马泰奥蒂。但由于墨索里尼牢牢控制着当时的政权，以致整个案件最后是不了了之，但它给历史留下了永远的一页。

讲述年轻的美国乒乓球手马蒂·毛瑟追求伟大梦想的故事。

讲述旧时代的乒乓球拍是砂板球拍，美国乒乓高手马蒂·赖斯曼在1952年世乒赛上，输给了使用海绵球拍的日本选手佐藤博治，砂板球拍逐渐退出现代乒乓球的历史。

2002年2月27日，满载着虔诚的印度教徒的萨博马蒂号列车紧急停靠在了古吉拉特邦境内的戈特拉站，随后的几天内，一场数千人伤亡的冲突被引爆。

纪录片关于法国野兽派画家亨利-马蒂斯的色彩。发现他的画搭配萨第的钢琴配乐真是绝配。。。：） 　　The film, recording pictures gathered from all over the world for the London exhibition in 1968, traces the idyllic quality in Henri Matisse's work "When I started to paint I felt transported into a sort of paradise - starting to paint I felt gloriously free, quiet and alone". The paintings are shown chronologically, culminating the large paper cut-outs. 　　A film made, during a 1968 exhibition at the Hayward Gallery, of the paintings and painted paper cut-outs (gouaches découpées) of French artist, Henri Matisse (1869-1954). From the exhibition at the Hayward Gallery London. Directed by Lawrence Gowing and John Jones; with quotations from Matisse and music by Erik Satie. Photography Nic Knowland; Assistant Jim Dibling; Music by Erik Satie; Played by Aldo Ciccolini, Jean-Joel Barbier; Editor John Ralph; Production Manager Judith Marriott; Directed by Lawrence Gowing, John Jones. Produced by Allan King Associates for The Arts Council of Great Britain. Colour by Technicolor.