从 1998 年至 2018 年，约有11万中国弃婴被海外家庭收养，其中绝大多数是女孩。当年被遗弃在宝鸡市火车站的女婴凤梅，被美国俄亥俄州的家庭收养至今，美国的养父母给她起名为“Hope”。 十五岁的她一直面临着自我身份认知的困境，当她终于决定回到中国时，这块丢失已久的人生拼图就此能够顺利找回吗?

从 1998 年至 2018 年，约有11万中国弃婴被海外家庭收养，其中绝大多数是女孩。当年被遗弃在宝鸡市火车站的女婴凤梅，被美国俄亥俄州的家庭收养至今，美国的养父母给她起名为“Hope”。 十五岁的她一直面临着自我身份认知的困境，当她终于决定回到中国时，这块丢失已久的人生拼图就此能够顺利找回吗?

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

李康生打扮成僧侣，慵懒地穿梭在巴黎拥挤的街道上，与阿农-洪昂昂西（Anong Houngheuangsy）在梦幻般的邂逅中擦肩而过。为蔡明亮回顾展在蓬皮杜艺术中心拍摄。

李康生打扮成僧侣，慵懒地穿梭在巴黎拥挤的街道上，与阿农-洪昂昂西（Anong Houngheuangsy）在梦幻般的邂逅中擦肩而过。为蔡明亮回顾展在蓬皮杜艺术中心拍摄。

多年前分手的恋人再次重逢，他已是权贵圈的大佬，误以为她是陪酒女，生气将她带回家中，两人度过美好一夜。次日她看到家里的小女孩和女人，误以为他已经有家庭，决心不再跟他扯上关系，而他却疯批纠缠，强势追爱。

多年前分手的恋人再次重逢，他已是权贵圈的大佬，误以为她是陪酒女，生气将她带回家中，两人度过美好一夜。次日她看到家里的小女孩和女人，误以为他已经有家庭，决心不再跟他扯上关系，而他却疯批纠缠，强势追爱。

指挥官维尼裘斯（帕维·德朗柯 Pawel Delag 饰）深深的爱着身在罗马的人质公主丽姬娅（玛达琳娜·米尔卡兹 Magdalena Mielcarz 饰），于是，残暴的尼禄皇帝（克兹佐夫·马扎克 Krzysztof Majchrzak 饰）将丽姬娅赏赐给了维尼裘斯为妻。然而，丽姬娅公主是一个虔诚的基督教徒，她不能忍受维尼裘斯靠杀戮和掠夺过活，丽姬娅选择了离开维尼裘斯。 　　为了挽回丽姬娅，维尼裘斯找到了基督教的秘密集会处，开始聆听教义，试图理解基督教的核心思想，想通过此走进丽姬娅的内心。当维尼裘斯回宫时，尼禄皇帝正在焚烧罗马城，而丽姬娅就在其中，维尼裘斯闯入火海救出了爱人。皇后非常嫉妒维尼裘斯和丽姬娅之间坚贞的爱情，于是设计陷害。