离婚五年后，林晚晴在医院做志愿者时与前夫江晨重逢。曾经为了婚姻失去自我的她，如今早已走出阴霾，不再是那个依附于人的家庭主妇。面对前夫迟来的悔意与纠缠，林晚晴内心毫无波澜，坚定地拒绝了重修旧好的请求。如今的她通过烘焙找回了自信，并在温柔的面包师陈言泽的陪伴下，重新拥抱了生活的热情。这是一个关于告别过去、自我疗愈的故事，讲述了林晚晴如何在平凡的烟火气中重塑新生，放下过往的羁绊，最终在新的生活中收获了属于自己的平静与幸福。

职场之中，李雨桐因低血糖食用蛋糕补充体力，却遭到总监王浩宇当众苛责，还被扣除年终绩效。不愿无端承受不公对待的她，拿起法律武器维护自身权益，之后选择离开公司。就在旁人都以为她前途黯淡之时，万明集团向她抛出邀约。李雨桐凭借过硬专业能力打磨项目方案，用实力证明自我，超越昔日上司，一步步成长为行业内的杰出人才，印证职场之中实力才是立身之本。

沈念长期忍受丈夫顾岩的冷暴力与轻视，在绝望中觉醒。她重拾建筑设计专业，通过进修与兼职逐步实现经济独立。面对顾岩的嘲讽与阻挠，沈念凭借才华在旧改项目中脱颖而出，赢得行业认可。最终，她以独立自信的姿态重塑自我，不仅实现了职业理想，更促使顾岩深刻反省并重新追求，两人建立平等尊重的新型婚姻关系。

为成全丈夫的音乐梦想，苏婉清甘愿隐于幕后，甚至放弃自己的天赋。直到一首熟悉的钢琴曲，让她看清婚姻里的背叛，也揭开母亲一生遗憾的真相。所有人都以为她会像母亲一样委曲求全，可这一次，她选择收回所有成全。从深爱到清醒，从低谷到逆袭，当真相浮出水面，那个亲手毁掉她的人，终将为自己的选择付出代价

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.

Light on Earth will examine the phenomena of so-called bioluminescence.

十年前的一次超自然发光事件导致张鹏的好友神秘失踪。十年后摄制组找到张鹏，提出重回事发地象山拍摄一部找寻真相的影片。在象山受访者对当年事件给出的不同描述让调查陷入重重谜团。当他们历经波折进入那个人工开凿的神秘洞穴时，却发现所谓谜团都是导演的蓄意安排。但真相只是这样吗？在这个谜一样的洞穴里，谁是操纵者，谁是被操纵者已经无法确定。随着那扇尘封的水泥大门被推开，眼前发生的一切远超他们的想象……

内向中学生欧文原只想安稳度日，直到同校酷姐麦蒂向他介绍了神秘的深夜奇幻影集《神力粉红》——一个隐藏在地下的怪奇世界。两人总是偷窝在麦蒂家里，看粉红少女组对抗邪恶怪物。隔着电视的闪烁微光，欧文的内心也逐渐起了变化。而麦蒂突然人间蒸发，影集断尾，欧文的另一个世界，倏地戛然而止⋯⋯

一个雨天，因为前男友克瑞的事情而伤心欲绝的Oom开车走神撞到了一名路边的男子，然而经医院检查这个男子在车祸前受过撞击失去了对过往的记忆，面对自己签过的负责协议和出于内心的愧疚，Oom不得不把他带回了家休养，一条印有Tan字母的截断的项链上似乎透露着他的身世之谜，Oom暂且叫他Tan。经过一段时间的相处，Oom被Tan生活中无微不至的关心，前男友所没有的温柔而感动，日渐对他产生了依赖，并且帮助Tan寻找一切恢复记忆的可能，而Tan也日渐融入到这个三口之家的生活中。随着记忆的恢复，Tan想起了他在电话亭被抢劫前那些尴尬的过往，Tan是变装皇后和同性恋的事实，以及世俗的眼光，Oom的感情选择又该何去何从… 该片获2008年泰国国家电影协会奖最佳影片，最佳导演，最佳男演员三项提名，其主演阿南达•爱华灵咸更是泰国最受欢迎的电影演员之一。