ある晩、1人の美人ストリッパーが絞殺された。その死体の傍らに泥酔して倒れていたのは、市長選挙に出馬した、とある革新党候補者。連続殺人事件を追う新聞記者は、取材を進めるうちに、事件の背後に市長選挙を巡る陰謀が張り巡らされていることに気づく。やがて目撃者までが命を奪われるなか、事件の確証を求める新聞記者は…。 　　鈴木清順らと共にニューウェーブ監督として注目を集めた、異才・増村保造。本作は、映画音楽を一切使用しない異色の演出が話題になった、硬派なサスペンス・ドラマ。「巨人と玩具」「最高殊勲夫人」など、数々のヒット作で組んだ名カメラマン・村井博が撮影を担当している。映像特典として、フォト・ギャラリーやスタッフ＆キャスト紹介などが収録されている。

剧情将回到2006年，白宫发现总统的机密文件遭到骇客入侵而召来了里昂所带领的特工团队，在搜查期间却突然停电，并遇到了丧尸袭击。另一方面，TerraSave员工克莱尔在某个国家支持难民时，从一名患有失语症的少年手中获得了一幅看似有人感染病毒的画，并以此为展开调查。 　　翌日，克莱尔为了修建福利设施的议题前往白宫，巧遇里昂并将少年的画展示给他看。尽管里昂认为白宫的丧尸事件和那幅奇怪的画有关联，克莱尔却持相反意见径自离去。两个遥远国家所爆发的丧尸事件，最终将发展成动摇国家的事态。

Governor George Wallace will not let two black students into an Alabama school, against the wishes of President Kennedy. Loud shouts come from both sides of the issue as JFK stands by his decisions.

几个民国青年我不是特工我不是特工(53张) 在战乱的社会背景下，不屈命运的变迁，怀着为国效力之心，积极投身革命。由陈翔饰演的薛云烬是个重情守信…

赫尔佐格与1992年与科威特拍摄的第一次海湾战争后的纪录电影。描述了撤退的伊拉克军队点燃油田所带来的生态灾难，与常见的纪录片不同的是此片并没有竖立…

一个事业有成的外科医生，拥有者美满的家庭，一位美丽的妻子，但祸从天降医生的弟弟因为帮派斗争不幸成为牺牲品，因为弟弟是自己唯一的亲人，医生开始训练，开始搏斗，他要开始一场血腥的复仇，因为没有什么比杀掉那些杀害自己弟弟的人，更能让自己解脱，悲痛，伤心，绝望，这一刻化成了复仇的烈火，在黑暗之域熊熊燃烧……

Aeronautical engineer Ken Gordon and his faithful mechanic Mac are devoted to developing technology that will enable pilots to safely fly blind during adverse weather conditions. An irresponsible newsman, Nick Williams, publishes a premature story about a planned long distance flight Gordon hopes will prove his theories. Because of Williams, he loses funding but is introduced to skilled aviatrix Shiela Mason. After Gordon is literally blinded in a workshop accident, Shiela undertakes dangerous stunt flying jobs in order to secretly support Gordon's continuing research. When she undertakes a dangerous Moscow to New York non-stop flight and is in jeopardy of crashing over a fog-bound Roosevelt Field, there is only one person capable of saving her.

斯米尔和本是高速公路警察，他们接到命令保护凯瑟琳温蒂，一名建筑设计师。但斯米尔却陷入痛苦和绝望，因为他发现自己深爱的妻子居然和别人私通，这让斯米尔在执行任务过程中备受困扰，以至于他和女儿都被歹徒保卫陷入绝境。关键时刻他在老搭档的解救下脱困，但他不知道的是这一切竟然是一个巨大的阴谋……

Although Butoh is often viewed as Japan's equivalent of modern dance, in actuality it has little to do with the rational principles of modernism. Butoh is a theater of improvisation which places the personal experiences of the dancer on center-stage. The dancer is used as a medium to his or her inner life, but not for the portrayal of day to day existence. A Dionysian dance of nudity, eroticism, and sexuality, Butoh's scale of expression ranges from meditative tenderness to excessive grotesqueness. By reestablishing the ancient Japanese connection of dance, music, and masks, and by recalling the Buddhist death dances of rural Japan, Butoh incorporates much traditional theater. At the same time, it is a movement of resistance against the abandonment of traditional culture to a highly organized consumer-oriented society. An alliance of tradition and rebellion, Butoh is one of the most fascinating underground dance movements. "Butoh: Body on the Edge of Crisis" is a visually striking film portrait shot on location in Japan with the participation of the major Butoh choreographers and their companies.