该片为澳大利亚导演Goran Stolevski的长片处女作。故事讲述在19世纪马其顿的一个偏僻山村，一个生活在森林的年轻女巫对人类的生活充满了好奇，她意外地杀死了一个村民，然后用这位村民的皮肤装扮成了人类，这也完全激发了女巫的好奇心，她想要装扮成不同的人类来生活。

故事发生在1951年的一个大城市：一个年轻的妻子从度假胜地回来，然后她收到了一张“度假明信片”。这张明信片是一个男人寄来的，她和他一起沿着海岸散步，在星空下听着海浪。 　　而她的丈夫也收到了一张明信片……他没有嫉妒，在经历了内心的痛苦后，决定以信仰的名义给男人写一封回信。

达斯坦再也受不了大肚子老婆的碎碎念，决定跟好友出门放风钓鱼。他的朋友一个是警察，一个则想当商人。三人钓鱼原本会很顺利，殊不知发生了一连串匪夷所思、暴力血腥的突发事件，后果一发不可收拾。

另一部为His Name is Alive制作的影片，有着跟《我们的婚姻还存在吗？》相同的意象和主角，场景也一样。一个新角色，戴着恶魔面具的黑衣男子，似乎被魔力束缚，而且魔力来自兔子，它正努力阻止他拿到那只宝贵的蛋。

영화감독 수인은 충북 괴산의 한 마을에서 탈북작가 영주를 만나 북한인권영화를 만든다. 세 번의 탈북과 두 번의 강제 북송을 경험한 영주의 이야기를 들으며 수인은 자신이 몰랐던 북한 인권의 잔인한 현실을 깨닫고 영주의 깊은 슬픔과 아픔에 공감한다

Last summer, my family traveled to Bristol, UK, for my sister’s graduation. Behind the laughter lies the unaddressed dilemma of her future: my father, a returnee from Hong Kong's 1997 immigration wave, wants to keep her close, while my sister, a Gen Z raised in Western culture, yearns for a life far from home. Using found footage and travel clips spanning decades, this film offers the audience a glimpse into a 20-year-long love-hate relationship shaped by Hong Kong's migration wave.

改编自浅野绫的原作漫画，讲述少女漫画家・青井华（马场富美加）对美容院的领袖魅力美容师・城户理一（赤楚卫二）一见钟情，在成为恋人之后而开始的爱情…

由「vibio樂波時代」製作的《那些你不知道的我》，是部新型態的青春懸疑愛情劇，從一位當紅偶像被威脅的離奇案件開展，描繪現代人因應社群及輿論需求產生的多面性格。對於未知的另一半，你想要完全掌控還是選擇信任？對於突如其來的傷痛，應該如何重新振作？搶先曝光的超前導海報，以一支等待被解鎖的破碎手機，以及證據清單作為主要視覺，字體設計刻意以減少筆畫、不完整的字型，暗示劇中每個人所隱藏的部分自我。安竹間表示：「人跟人交往時，總是想了解對方的全部，但如果別人所說講的他，跟你認識的不一樣，你會選擇信任還是？每個角色性格都像洋蔥，層層剝開後發現每個人都有A、B面。」

这个世界上，有些事还是不要知道的好，不然就会后悔。这些恐怖故事，晚上的百货公司、手机邮件、同学会等，就好像是"那东西"埋伏在你我身边般，让你在夏天裡尖叫！日本最世界顶级的恐怖界大师“咒怨”的清水崇监修，新进导演5人所执导的8个恐怖世界…请务必享受这“新感觉恐怖”!!

In the vibrant tapestry of Portugal's English stand-up comedy scene, Xinyi (28) quietly carves her space as the lone Chinese comedian. A clandestine comedian to her family, she finds her world upended when her mother announces a visit in five months. This revelation becomes the catalyst for reflection, prompting Xinyi to pen a daring comedy show challenging patriarchal norms and dismantling the orientalist fantasy imposed on Asian women. The film threads the connection between Xinyi's on-stage persona and her authentic self, employing first-person narration to unveil the intricate struggles of a female immigrant concealed behind the veil of laughter. As she charts her course in Portuguese comedy, Xinyi confronts cultural barriers, demanding precision in conveying information and humor to her diverse audience. Her artistic mission becomes a poignant exploration, seeking to rupture stereotypes surrounding Chinese culture and dismantle the discriminatory images etched in European minds.