本纪录片由法国女星伊莎贝尔·阿佳妮亲自讲述自己从影历程，其中穿插着许多阿佳妮早期珍贵照片和视频。

영화감독 수인은 충북 괴산의 한 마을에서 탈북작가 영주를 만나 북한인권영화를 만든다. 세 번의 탈북과 두 번의 강제 북송을 경험한 영주의 이야기를 들으며 수인은 자신이 몰랐던 북한 인권의 잔인한 현실을 깨닫고 영주의 깊은 슬픔과 아픔에 공감한다

영화감독 수인은 충북 괴산의 한 마을에서 탈북작가 영주를 만나 북한인권영화를 만든다. 세 번의 탈북과 두 번의 강제 북송을 경험한 영주의 이야기를 들으며 수인은 자신이 몰랐던 북한 인권의 잔인한 현실을 깨닫고 영주의 깊은 슬픔과 아픔에 공감한다

影片改编自法国小说家薇奥莱特·勒迪克（Violette Leduc；1907年4月7日~1972年5月28日）著名同性恋题材的诗意小说《泰蕾兹与伊莎贝尔》（Thérèse et Isabelle）。小说写就于1954年，薇奥莱特·勒迪克原本计划将它作为1955年出版的小说《摧毁》（Ravages）的开篇第一章，但由于出版商担心小说题材敏感引起轰动，建议她撤回原稿。1964年，薇奥莱特·勒迪克通过将小说纳入她的另一部小说《私生女》（La Bâtarde）的第一部分，由西蒙娜·波伏瓦撰写前言并交予伽里玛出版社出版，又因为是描写两个少女在学校中疯狂相恋的故事，伽里玛出版社害怕背上邪恶和不道德的黑名，而硬将其删去。1966年，伽里玛出版社才同意出版经过重新压缩编辑、实际上已是支离破碎的《泰蕾兹与伊莎贝尔》。这部小说的真正运气出现在薇奥莱特·勒迪克死后的2000年，《泰蕾兹与伊莎贝尔》才在她的传记作者卡洛·让斯蒂（Carlo Jansiti）的整理下重赋了她1954年的文字原貌。 　　因母亲再婚嫁给一个不喜欢孩子的男人，泰蕾兹（埃絮·佩尔松饰）被送进了瑞士的一所寄宿学校。在那里，泰蕾兹很快与一个无忧无虑、生活经验丰富的女孩伊莎贝尔（安娜·加埃尔饰）交上了朋友。而男孩子与她们的野蛮接触，让泰蕾兹和伊莎贝尔的情意转向彼此，成为同性恋人。她们承诺永远不会离开彼此，但不久她们在树林里度过一个整晚后，伊莎贝尔突然被她的父母从学校接走，留下了孤伶的泰蕾兹独自伤心。 　　寂寞的泰蕾兹只好早早离开学校伴随在她的未婚夫身边。影片以泰蕾兹在20年后回访这所曾经带给她美好而伤心初恋的母校的倒叙形式铺开。

In the vibrant tapestry of Portugal's English stand-up comedy scene, Xinyi (28) quietly carves her space as the lone Chinese comedian. A clandestine comedian to her family, she finds her world upended when her mother announces a visit in five months. This revelation becomes the catalyst for reflection, prompting Xinyi to pen a daring comedy show challenging patriarchal norms and dismantling the orientalist fantasy imposed on Asian women. The film threads the connection between Xinyi's on-stage persona and her authentic self, employing first-person narration to unveil the intricate struggles of a female immigrant concealed behind the veil of laughter. As she charts her course in Portuguese comedy, Xinyi confronts cultural barriers, demanding precision in conveying information and humor to her diverse audience. Her artistic mission becomes a poignant exploration, seeking to rupture stereotypes surrounding Chinese culture and dismantle the discriminatory images etched in European minds.

In the vibrant tapestry of Portugal's English stand-up comedy scene, Xinyi (28) quietly carves her space as the lone Chinese comedian. A clandestine comedian to her family, she finds her world upended when her mother announces a visit in five months. This revelation becomes the catalyst for reflection, prompting Xinyi to pen a daring comedy show challenging patriarchal norms and dismantling the orientalist fantasy imposed on Asian women. The film threads the connection between Xinyi's on-stage persona and her authentic self, employing first-person narration to unveil the intricate struggles of a female immigrant concealed behind the veil of laughter. As she charts her course in Portuguese comedy, Xinyi confronts cultural barriers, demanding precision in conveying information and humor to her diverse audience. Her artistic mission becomes a poignant exploration, seeking to rupture stereotypes surrounding Chinese culture and dismantle the discriminatory images etched in European minds.

Last summer, my family traveled to Bristol, UK, for my sister’s graduation. Behind the laughter lies the unaddressed dilemma of her future: my father, a returnee from Hong Kong's 1997 immigration wave, wants to keep her close, while my sister, a Gen Z raised in Western culture, yearns for a life far from home. Using found footage and travel clips spanning decades, this film offers the audience a glimpse into a 20-year-long love-hate relationship shaped by Hong Kong's migration wave.

A Captain with a mistress at another port leaves his wife on a routine trip with his son. There, after making a hasty retreat from his mistress, she, with the help of a local shaman, conspire to take him away from his family forever.