苏音为报答秦宴东的救命之恩，苏音答应秦老爷子与秦宴东契约结婚三年，但隐藏身份。这三年苏音化名苏念为秦宴东付出却不被珍惜，秦宴东为了小三陆娇娇一再羞辱苏念。三年期限到，苏念果断和秦宴东离婚。秦宴东依旧不相信苏念会离开她，为了应对秦氏危机听从小三建议寻找大佬苏音帮忙，在寻找路上不断遇到苏念，却不相信苏念就是苏音还一再羞辱。苏念偶然救下周今砚后，发现他就是当年救下自己的人。两人合作且确定恋爱关系。秦宴东从秦爷爷嘴里得知苏念是苏音后，决定找周今砚帮忙。却误会周今砚是苏音包养的小白脸，一直蹦跶羞辱后不停被打脸，最后秦氏破产，苏念和周今砚订婚。秦宴东后悔莫及。

秦氏集团总裁秦枭找遍全国各地，都没找到腰上有桃花胎记的女人，腰上有阴桃花的女人是世间唯一一具纯阴之体。秦枭天生纯阳之体，必须与纯阴之体交合，才能彻底化解体内的阳毒，否则他的生命将不久矣。

秦氏集团总裁秦枭找遍全国各地，都没找到腰上有桃花胎记的女人，腰上有阴桃花的女人是世间唯一一具纯阴之体。秦枭天生纯阳之体，必须与纯阴之体交合，才能彻底化解体内的阳毒，否则他的生命将不久矣。

On Pushkin's manuscripts and pictures. V. Markov and V. Nepomnjashchy took part in the creation of the film. It is a poetic film.

A photographic image in its production: exposure, development and reproduction. As the subject of its recording the faces of two people. The experimental short film "IMAGE ME" equates the face with the photographic image, exposing the merge with our depiction and a mechanics of rotation around our own axis.

Madame Tussauds will disagree, but some folks believe that having a wax figure made out of yourself before you die is bad luck, a notion that is explored in Hong Hoon (ห้องหุ่น, a.k.a. Crack My Skin). 　　The thriller originated as a radio drama by Somsuk Kaljaruek, and was remade for TV a few times. Now it's a movie by Kantana Motion Pictures, a newly launched production shingle of the Kaljareuk clan's Kantana Group, an entertainment company better known for its soap operas and post-production work on most of the movies released in Thailand and around the region. 　　The director is Kulp Kaljareuk, grandson of the radio play's writer and son of Kantana Group honcho Jaruek Kaljaruek. He's making his feature directorial debut. 　　Ananda Everingham stars as a guy investigating the death of his sister, which had something to with wax figures. He teams up with a woman named Ploy (Rattanarat Aurthaveekul), whose father's death also involved wax figures. 　　The two stars promoted the film at the recent Thailand Comic-Con and also got naked for a photo shoot that went viral on the Internet. Rated 15+

作者回到自己的故乡，参与到族群生活中，通过诗学和政治学行动，努力营构一座庸常小村落的历史神话谱系，并试图令其历史地生发电影。 　　作者以族民和书写者的双重身份，对仅仅11户村民、20余人组成的"细毛家"进行了考古学式的观察，发掘它的内在讯息，写作了细毛家的历史和神话；同时，作者创作了几类物件并将其置入族群中，考察物件在族群生存语境中释放出的特殊意味及与之对应的独特宇宙观。 　　《神衍像》与历史文本《九歌》在写作格式上对称，可视为对细毛家的一次严格的历史形制上的确立，如同墓穴形制。细毛家的族民终将死去，但愿遗留下来的不止于尸骨，还有属于细毛家的名为《神衍像》的自我英雄主义的电影。

Some puppets come to life in a theater with no windows. This time the puppets interpret William Shakespeare's Othello.

这是一档纯粹的黑白影像访谈，对话那些忠于热爱、有所收获的人，用黑白聚焦内容本身，让影像纯粹起来。