Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back. Neri does the best he can to save the thief's life, but does he have a chance against the fate? Moreover, Neri has to fight the death sin of vanity itself...from an unexpected side...

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

Gay men Gu and Chang meet on a dating app, and head to a hotel for a hookup. The two strangers start with some small talk to break the ice, but Gu seems anxious, prompting Chang to ease him into the mood. As their conversation progresses, Chang discovers that Gu is hiding a secret. Director's statement: When transitioning from being a film critic to a director, I aim to make my identity evident in my work. Therefore, I juxtapose The Gay Brothers, the first queer film in film history, with a modern hookup scene between two gay men, highlighting not only the existence of this rare work but also the historical significance of on-screen same-sex intimacy. Also, I use the transition in sound and color, such as the shift from black-and-white to color imagery, to draw an analogy to the progress of LGBTQ+ rights in Taiwan.

伦敦运河船屋爱巢里，年轻女同志的生活无拘无束，但一个生小孩的念头，使得平稳生活开始摇摆。极富巧思的场景、特殊的三角关系、波西米亚式的人物和生活，让日常里的冲突更显张力。流动的运河象征自由，本片藉此反思家庭的定义，也揭示爱侣如何以理解和扶持，相伴通过迷惘长河，继续前行。

男性同士の荒々しくも繊細な禁断の愛を描いた本格的ボーイズラブ。後輩のまなみと付き合い始めたシュウヘイは、彼女を上手くデートに誘えず毎日モンモンと悩んでいた。第１話「先生との秘め事」から第４話「まる見えな幼馴染み」を収録する。 　　1. <第1話>先生との秘め事 　　2. <第2話>イケメンと僕のバレンタイン 　　3. <第3話>ネコ耳な同級生 　　4. <第4話>まる見えな幼馴染

男性同士の荒々しくも繊細な禁断の愛を描いた本格的ボーイズラブ。後輩のまなみと付き合い始めたシュウヘイは、彼女を上手くデートに誘えず毎日モンモンと悩んでいた。第１話「先生との秘め事」から第４話「まる見えな幼馴染み」を収録する。 　　1. <第1話>先生との秘め事 　　2. <第2話>イケメンと僕のバレンタイン 　　3. <第3話>ネコ耳な同級生 　　4. <第4話>まる見えな幼馴染

一次也没能按照自己选择的人生而活的酒店代表车秀贤（宋慧乔饰） 与拥有自由明朗灵魂、将平凡生活过得幸福且珍惜的金振赫（朴宝剑饰） 在一次偶然的相遇…

英国名导演肯罗素以风格强烈著称，但他执导的这部歌舞片却平易近人，热情洋溢。尤其在舞蹈场面的编排上相当别致，由男主角克里斯多夫．盖博亲自编舞，颇有百老汇黄金时代歌舞剧的特色。剧情描述一名电影制片家爱上了一个业余歌舞剧团的演出，整天梦想着要将它拍成电影，因此同一段歌舞却有两种截然不同的表演方式，对比之下颇能彰显电影的幻想空间和造梦魅力。在七十年代极为走红的英国模特儿崔姬饰演剧团女主角，相当逗人喜爱。