Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back. Neri does the best he can to save the thief's life, but does he have a chance against the fate? Moreover, Neri has to fight the death sin of vanity itself...from an unexpected side...

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

Gay men Gu and Chang meet on a dating app, and head to a hotel for a hookup. The two strangers start with some small talk to break the ice, but Gu seems anxious, prompting Chang to ease him into the mood. As their conversation progresses, Chang discovers that Gu is hiding a secret. Director's statement: When transitioning from being a film critic to a director, I aim to make my identity evident in my work. Therefore, I juxtapose The Gay Brothers, the first queer film in film history, with a modern hookup scene between two gay men, highlighting not only the existence of this rare work but also the historical significance of on-screen same-sex intimacy. Also, I use the transition in sound and color, such as the shift from black-and-white to color imagery, to draw an analogy to the progress of LGBTQ+ rights in Taiwan.

维克是一家公司的制图员，他和公司的打字员英格丽恋爱了，两人的恋爱和普通人一样，没什么不同。但英格丽意外地怀上了维克的孩子，两个人只好结婚。他们的蜜月过得很幸福，但因为没有房子，他们和英格丽的母亲一起住。岳母因为凡事都要过问，因此经常和维克发生争吵，而英格丽总站在母亲一边责备维克，两人的关系也越来越差。没多久英格丽又因跌倒流产，之后一直拒绝和维克同房。维克与岳母的矛盾也越来越深。维克因心情不好喝醉酒，被英格丽拒之门外，维克一气之下来开岳母的家。但姐姐和母亲都责备他，只有父亲劝他和英格丽搬出来住。维克和英格丽一起去看房子，手牵着手。

维克是一家公司的制图员，他和公司的打字员英格丽恋爱了，两人的恋爱和普通人一样，没什么不同。但英格丽意外地怀上了维克的孩子，两个人只好结婚。他们的蜜月过得很幸福，但因为没有房子，他们和英格丽的母亲一起住。岳母因为凡事都要过问，因此经常和维克发生争吵，而英格丽总站在母亲一边责备维克，两人的关系也越来越差。没多久英格丽又因跌倒流产，之后一直拒绝和维克同房。维克与岳母的矛盾也越来越深。维克因心情不好喝醉酒，被英格丽拒之门外，维克一气之下来开岳母的家。但姐姐和母亲都责备他，只有父亲劝他和英格丽搬出来住。维克和英格丽一起去看房子，手牵着手。

IMDB标签:lost film

<로맨틱 머신>(2019), <코랄 러브>(2022)를 만든 이소정 감독의 첫 번째 장편. 이미지의 영화적 경험을 극대화해 온 이소정의 작업이 더 넓고 깊게 확장된다. 영화는 “어느 날 편지와 필름 한 통이 도착했다. 그에게서 온 것이다”라는 보이스오버로 시작된다. 그러나 ‘그’가 ‘나’에게 보내온 필름에는 아무것도 찍혀 있지 않고, ‘나’는 거기서 다른 것들을 발견하기 시작한다. 예술가의 작업실보다는 과학자의 연구실에서 나올 법한 이미지들 위에 단정한 보이스오버가 얹힌다. ‘그’의 편지와 ‘나’의 보이스오버는 어떤 픽션을 상상하도록 부추기지만 인간 중심의 선형적인 이야기는 여기에 없다. 이소정 감독이 흥미를 갖는 테마는 인간이 사라져도 끝내 사라지지 않을 물질의 세계-세포, 광물, 별이기 때문이다. 보이스오버의 목소리가 영감을 불러오고 미지의 이미지들이 감각을 일깨우는 도전적인 영화적 체험.

魏晋北（刘昊然 饰）、彭秀兵（彭昱畅 饰）、李绍群（尹昉 饰）三个性格迥异的年轻人从大城市回到云南千年古寨，机缘巧合下共同创业，与古寨“格格不入”的他们用真诚改变了所有人，开启了一段非常疯狂、纯真的梦想之旅。

魏晋北（刘昊然 饰）、彭秀兵（彭昱畅 饰）、李绍群（尹昉 饰）三个性格迥异的年轻人从大城市回到云南千年古寨，机缘巧合下共同创业，与古寨“格格不入”…