Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back. Neri does the best he can to save the thief's life, but does he have a chance against the fate? Moreover, Neri has to fight the death sin of vanity itself...from an unexpected side...

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

Gay men Gu and Chang meet on a dating app, and head to a hotel for a hookup. The two strangers start with some small talk to break the ice, but Gu seems anxious, prompting Chang to ease him into the mood. As their conversation progresses, Chang discovers that Gu is hiding a secret. Director's statement: When transitioning from being a film critic to a director, I aim to make my identity evident in my work. Therefore, I juxtapose The Gay Brothers, the first queer film in film history, with a modern hookup scene between two gay men, highlighting not only the existence of this rare work but also the historical significance of on-screen same-sex intimacy. Also, I use the transition in sound and color, such as the shift from black-and-white to color imagery, to draw an analogy to the progress of LGBTQ+ rights in Taiwan.

《可以跟你回家吗》是一档非虚构类都市群像微纪录片，节目全程真实记录，没有预设、没有煽情，在城市中寻找一眼对视的陌生面孔，帮助他解决眼前的小麻烦…

作为全国首档都市观察跟拍式纪录片，《可以跟你回家吗》深入基层社会，真实还原都市中人们的生活百态和人性温暖，贯彻了“小人物、大情怀、正能量”的时代要求

是东京电视台著作出品的综艺纪录节目。节目专门访问赶不上末班电车的陌生人，以支付计程车费来换取跟随到他们家访问的机会，进而领略纪录人生百态。

終電を逃した人などに「タクシー代をお支払いするので、家、ついて行ってイイですか？」と頼み込み、同意を得られた相手の住居を訪問してインタビューするバラエティ番組「家、ついて行ってイイですか？」。テレビ東京で実際に放送され、話題を呼んだ回をドラマ化した本作では、竜星演じる番組ディレクター玉岡の視点から、さまざまな人々のドラマティックな人生と人間模様を描く。

終電を逃した人などに「タクシー代をお支払いするので、家、ついて行ってイイですか？」と頼み込み、同意を得られた相手の住居を訪問してインタビューするバラエティ番組「家、ついて行ってイイですか？」。テレビ東京で実際に放送され、話題を呼んだ回をドラマ化した本作では、竜星演じる番組ディレクター玉岡の視点から、さまざまな人々のドラマティックな人生と人間模様を描く。

通过刘仪伟的视角纪录下12位平凡人的不凡故事，用相处积累的情谊与信任敲开素人对象的家门，让刘仪伟探访居所挖掘故事；“听一段故事，吃一顿饭”，以倾听加深认知，用美食慰藉心灵，在饭桌上这个中国人最传统的聊天场域叩开素人对象心门；潜移默化地引出社会热点话题，打造一档有趣、有用、有意义的人文类真人秀。