Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back. Neri does the best he can to save the thief's life, but does he have a chance against the fate? Moreover, Neri has to fight the death sin of vanity itself...from an unexpected side...

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

Gay men Gu and Chang meet on a dating app, and head to a hotel for a hookup. The two strangers start with some small talk to break the ice, but Gu seems anxious, prompting Chang to ease him into the mood. As their conversation progresses, Chang discovers that Gu is hiding a secret. Director's statement: When transitioning from being a film critic to a director, I aim to make my identity evident in my work. Therefore, I juxtapose The Gay Brothers, the first queer film in film history, with a modern hookup scene between two gay men, highlighting not only the existence of this rare work but also the historical significance of on-screen same-sex intimacy. Also, I use the transition in sound and color, such as the shift from black-and-white to color imagery, to draw an analogy to the progress of LGBTQ+ rights in Taiwan.

司念一直视沈砚儒是救赎，默默追逐，直到她亲眼看见他和别人亲密热吻。司念当场醒悟，决然离开。一个转身“偶遇”并闪婚顶级豪门——顾氏掌权人顾凛川。最初，司念以为她与顾凛川的婚姻只是形式。后来她才知，他等这一刻已经等了十年。

After seeing his mother criticize a homosexual relationship that appears on TV, a young man decides to coming out.

After seeing his mother criticize a homosexual relationship that appears on TV, a young man decides to coming out.

《可以跟你回家吗》是一档非虚构类都市群像微纪录片，节目全程真实记录，没有预设、没有煽情，在城市中寻找一眼对视的陌生面孔，帮助他解决眼前的小麻烦…

作为全国首档都市观察跟拍式纪录片，《可以跟你回家吗》深入基层社会，真实还原都市中人们的生活百态和人性温暖，贯彻了“小人物、大情怀、正能量”的时代要求

被誉为"保守派心脏"的庆尚北道是韩国政治保守派大本营，过去30年间从未选出过自由派共同民主党国会议员。从2022年地方选举到2024年国会选举，由电视编剧转型导演的洪永雅记录下民主党候选人们身标志性蓝色外套，在这片"红色土地"上进行的艰苦选战。尽管面临注定失败的结局，知事候选人林美爱与其丈夫兼候选人金贤权，以及其他候选人及助选员们，仍以昂扬斗志向不满的行人发放名片、积极握手、在街头竞选时起舞。通过这场大卫对战歌利亚的无望之战，影片既质疑了注定失败的挑战意义，也揭示了地方选举与韩国政治中希望与绝望交织的残酷现实。