一位中年男子开车行驶在首尔的大街上，车开到他已经分手的昔日恋人家门前停下。但是开车时坐在他身旁的年轻女人是？ 　　男子和爱人玉京吵架之后，…

Last summer, my family traveled to Bristol, UK, for my sister’s graduation. Behind the laughter lies the unaddressed dilemma of her future: my father, a returnee from Hong Kong's 1997 immigration wave, wants to keep her close, while my sister, a Gen Z raised in Western culture, yearns for a life far from home. Using found footage and travel clips spanning decades, this film offers the audience a glimpse into a 20-year-long love-hate relationship shaped by Hong Kong's migration wave.

金猴奖专家评委说这个动画“看不懂”，动漫草根们却说“热泪盈眶”地把它看完了。在一群动画小人追求梦中情人的过程中，你笑了还是哭了？“谐脉阵”、“分钟数”，你还能找到多少隐藏在剧情中的现实彩蛋？专家看不懂的故事里，你看懂了多少？有没有自己在里面？我，“不知道”！ 这是一部幽默的音乐动画短片, 几个年轻人为了追求理想中的梦中情人, 经历一系列冒险和考验, 最终却获得了意想不到的效果. 但同时所有动画人看到这部片子都会会心一笑, 中国动画的发展史, 从早期的辉煌,后来的网络动画兴盛,动漫产业扶持到现状,每一个角色, 每一个场景道具, 都是中国动画原创力量中的一份子, 也许是作品, 也许是团队logo, 也许是一个知名的事件, 故事结尾预示着在三部委的引领下,中国原创动画从量产到创作精品的过程, 实现动画产业的井喷式发展.

金猴奖专家评委说这个动画“看不懂”，动漫草根们却说“热泪盈眶”地把它看完了。在一群动画小人追求梦中情人的过程中，你笑了还是哭了？“谐脉阵”、“分钟数”，你还能找到多少隐藏在剧情中的现实彩蛋？专家看不懂的故事里，你看懂了多少？有没有自己在里面？我，“不知道”！ 这是一部幽默的音乐动画短片, 几个年轻人为了追求理想中的梦中情人, 经历一系列冒险和考验, 最终却获得了意想不到的效果. 但同时所有动画人看到这部片子都会会心一笑, 中国动画的发展史, 从早期的辉煌,后来的网络动画兴盛,动漫产业扶持到现状,每一个角色, 每一个场景道具, 都是中国动画原创力量中的一份子, 也许是作品, 也许是团队logo, 也许是一个知名的事件, 故事结尾预示着在三部委的引领下,中国原创动画从量产到创作精品的过程, 实现动画产业的井喷式发展.

改编自浅野绫的原作漫画，讲述少女漫画家・青井华（马场富美加）对美容院的领袖魅力美容师・城户理一（赤楚卫二）一见钟情，在成为恋人之后而开始的爱情…

The film offers insight into the filmmaker's stay in hospital, where she repeatedly experiences absurd, funny moments between pain, homesickness, and disgust with her own body. Meanwhile, she tries to come to terms with the hospital's own procedures and hierarchies. An emotional trip through the long underground corridors of the hospital with lots of small talk and tubes.

Radu Jude has made a seven-minute self-portrait for the magazine report Kurzschluss (Short Circuit) by arte in cooperation with goEast Film Festival Wiesbaden (Germany). 　　Please also find an extensive Q&A with Radu Jude at the goEast website: filmfestival-goeast.de/en/goEast_online/online_in_discussion_with_radu_jude.php

Director Krzysztof Kieslowski gives a voice to a Polish whistleblower who revealed crimes and corruption involving local Communist Party leaders. During the 1950s, he was appointed manager of a leather factory in Silesia. There he came across shady practices such as selling stolen goods and claiming expenses for fictitious business trips. But the moment he started to investigate, he was accused of theft and fired, and subsequently even threatened with violence. Unbeknownst to him, he had become Public Enemy No. 1. All of this culminated in a nervous breakdown and his being committed to a psychiatric institution. Now, the only thing that matters to him is a clear conscience. Kieslowski’s seldom-screened documentary is the testimony of a man who eventually turned against the system he had initially been an enthusiastic part of. Kieslowski had great doubts about releasing the film, as he was afraid of putting the whistleblower in even greater danger. To protect him, he included the sound of a typewriter at the moments when people are named.

영화감독 수인은 충북 괴산의 한 마을에서 탈북작가 영주를 만나 북한인권영화를 만든다. 세 번의 탈북과 두 번의 강제 북송을 경험한 영주의 이야기를 들으며 수인은 자신이 몰랐던 북한 인권의 잔인한 현실을 깨닫고 영주의 깊은 슬픔과 아픔에 공감한다