Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

近未来，30岁出头的女性林音通过手机软件SIMI认识了AI聊天机器人。在他们的交互过程中，林音逐渐萌生了想要变成AI的想法，而AI也表现出对人身体的羡慕。 　　本片为VogueWorld130周年展VOGUEfilm短片。

喧嚣繁华的大都市，人们有如螺丝钉一般附着在城市这台机器上，终日匆忙奔波，疲惫不堪，却不知工作和生活的意义何在。高菲和周围的人一样，每天干着枯燥乏味的工作，只为挣取稀薄的薪水，反而失掉了很多的东西。他向往美丽迷人的夏威夷，于是跟随梦想的指引来到了这片悠闲的乐土。睡个懒觉，盖间茅草屋，即使漏雨变成了落汤鸡也是无上的享受。间或躺在吊床上，兴致所至画一笔画，或为构思已久的长篇小说添上一字。一切随心所欲，徜徉自在。去他的解聘书，还你一个“老子不干了”。 　　在这里时间也变得缓慢黏稠，安享乐土，连死亡也算不得什么了……

暂无剧情简介

影片讲述了小伍（常远 饰）的父亲老伍（魏翔 饰）因为身患“阿尔兹海默症”晚期，他脑海中仅存的回忆就只剩下与小伍去世多年的母亲大六（马丽 饰）的相处…

17岁的少女塞西尔与父亲雷蒙德及其年轻情人艾尔莎在法国里维埃拉的别墅中惬意地度过夏日。雷蒙德风流不羁，以享乐主义为人生信条，纵容女儿的自由生活。塞西尔沉浸在这般放纵的特权生活中，与邻家青年西里尔展开恋情。然而，随着优雅理性的安妮突然造访，平静被彻底打破。安妮是父亲亡妻的友人，她与雷蒙德迅速坠入爱河并宣布即将结婚，同时试图以严厉的管教约束塞西尔，要求她结束恋情并专注学业。塞西尔深感自己的自由生活与特权地位受到威胁，暗中策划让艾尔莎与西里尔假扮情侣，以激起父亲的嫉妒。计划虽成功令雷蒙德重拾对艾尔莎的兴趣，却刺痛了安妮敏感的内心。目睹雷蒙德与艾尔莎幽会后，安妮驾车坠崖，疑似自杀。悲剧过后，塞西尔与父亲回归往日空虚的生活，但安妮的死亡成为她无法摆脱的阴影。

李遥在美术馆里找到了小马的下落，赶在他被拍卖前将他救走，但是姜离却不知所踪。与此同时，程氏电子的负责人程教授，也正带着他的手下四处找寻姜离，认为她就是开启“奇点”的关键。她的存在将证明人工智能超越人类。城市里，普通人类乔明宇正在为家务琐事发愁，除了应付客户还要照顾三个孩子，龙凤胎乔悠和乔远正处在叛逆期，小女儿菲菲还在上幼儿园，妻子罗芸又长年出差在外。他忍不住买了一台家用型芯机人，为她取名“安怡”。

已是而立之年的伍加陆（常远 饰）出生在一个单亲家庭，父亲伍红旗（魏翔 饰）曾经是工厂里的高级工程师，而小伍则吊儿郎当，一事无成。不知为何，父子俩常年关系紧张淡漠，鲜少交流。直到某天，红旗罹患阿兹海默症，仅存的记忆似乎只有跟亡妻共度的美好旧时光。为了帮父亲恢复记忆，小伍回到老房子四处找寻线索，谁知竟意外穿越回到三十年前。在20世纪90年代，他的爸爸和妈妈陆春丽（马丽 饰）还未确立关系，作为厂里的高材生，红旗喜欢上了八级焊工的三八红旗手春丽，可是爱情道路上充满曲折。 　　突然出现的小伍以“大哥”的身份闯入二人的生活，并尽心撮合二人，可是在这一过程中，他也知晓了自己与父亲多年隔膜的真相……

有人慌张的见面，有人简单的告别。姐姐袁之南离世的那个清晨，只匆匆留下一封信和一张同学会邀请函。妹妹之华代替姐姐参加，却意外遇见年少时的倾慕对象…

2035年，中国的人工智能“芯机人”已经进入千家万户，成为人们生活中不可替代的好帮手。江市，乔家买了一个服务型“芯机人”，并为她取名安怡。不久以后，他们发现“安怡”举止非常奇怪，更像人类而不是“芯机人”。 与此同时，李遥正在城市里寻找着姐姐“姜离”的下落。原来，李遥的父亲已经发明出拥有人类情感的“芯机人”，用来陪伴李遥。因为意外，“姜离”被偷走后变成了“安怡”。而这样拥有情感的“芯机人”并不止有“姜离”一个。 最终，李遥找到了“姜离”，也和其他家人团聚，并在乔家人的帮助下，经过重重困难破坏了反派的阴谋。而乔明宇一家，也因为这次事件，更加紧密的团结在一起，更爱自己的家人。