A webcam dialogue between Berlin and Isfahan: Faraz Fesharaki documents conversations with his family over 10 years. This debut film blends recordings, text and VHS memories into a warm, melancholy intergenerational portrait. Intimacy is also work.

A webcam dialogue between Berlin and Isfahan: Faraz Fesharaki documents conversations with his family over 10 years. This debut film blends recordings, text and VHS memories into a warm, melancholy intergenerational portrait. Intimacy is also work.

The film shows the unique world of artist Sergei Parajanov, whose brilliant images in films and collages aroused the suspicion of Soviet authorities.

I am Sergei Parajanov! shot a few months after Parajanov's death. Features archive photographs, his collages, the clips from Sayat-Nova (1968), Ashik Kerib (1988), the making of The Legend of the Surami Fortress (1984) and a few views of the house he lived.

The author of the film decides to leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy example and solutions on how to live on. Paradjanov’s house becomes a place of inspiration and a point of no return to toxic reality. Through the life and work of Paradjanov, clarifying and interpreting the theme of human freedom in non-free conditions, where freedom is limited both by the borders of the totalitarian state and by the barbed wire of the camp fence.

Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - and contrasts it with the shocking request Parajanov sent him in unpublished 1974 letters from the Soviet prisons. Vartanov's camera documents Parajanov's striking last day at work in 1990 during the making of the unfinished Confession - the original camera negative of which survives in Parajanov: The Last Spring (1992) - as Parajanov comments on this cherished autobiographical work. A monumental wordless montage - the entire sixth reel - concludes Vartanov's acclaimed documentary, his final film, and his most important work, which, despite the prohibitive conditions it was created in, won the admiration of cinema's greatest artists.

失业的编剧生活窘迫，为了父母给的100美元津贴，她和家人一起去度假，就此卷进了一系列家庭冲突之中。本片是加拿大导演路易斯·代·德菲利皮斯自编自导的长片处女作，敏锐细腻地表现代际冲突和亲人之间愉悦温暖的日常。爆炸脾气的母亲和松弛的父亲是熟悉的家庭场景，主角以超脱剧情中心的方式，融入在了家庭之中。荣获2022年圣塞巴斯蒂安国际电影节塞巴斯蒂安奖最佳影片奖、2023年鹿特丹国际电影节青年评审奖。

In a locked down train station, a homicide detective conducts an interview with a tormented monkey.

In a locked down train station, a homicide detective conducts an interview with a tormented monkey.

这部恶搞式喜剧讲述了这样的故事：贝尔托·罗梅罗收到了自己要做爸爸的消息，他的人生便从此改变。他清楚自己尚未准备好面对这一新状况，整个人晕头转向，惊慌失措，一切都让他应接不暇。他败在了照顾孩子这事儿上，觉得自己干什么都笨手笨脚。他连自己都照顾不好，又怎么能照顾好孩子呢？《看看你都做了什么》以幽默诙谐、贴近生活、荒诞不羁的方式展现出贝尔托成为爸爸之后过山车式的情绪变化、这一新状况对他人生的改变以及对他的人际关系和感情生活的影响。@深影字幕组