该故事改编自同名漫画。十岁的杰克是个爱做白日梦的孩子，他发现自己能够进入梦境，拯救人们摆脱一个名为“夜音”的邪恶势力。如今，他必须掌握梦想世界的规则，增强自身对抗“夜音”的力量，否则“夜音”会让所有人陷入永眠。

改编自同名漫画，十岁的杰克是一个白日梦者，他知道他可以进入梦想，并拯救人们远离一个只称为夜音的邪恶。现在，他必须掌握梦想世界，才能使夜夜的力量足以让我们所有人永远入睡。

当身体被构建成科学技术、医疗、生产劳动等多个权力关系的场所，主体性迷失于生命政治的技术控制之时，我们如何实现身体伦理学与生物资本之间的和解？

当身体被构建成科学技术、医疗、生产劳动等多个权力关系的场所，主体性迷失于生命政治的技术控制之时，我们如何实现身体伦理学与生物资本之间的和解？

春——新学期的日子 　　经历分班后，迎来新学期第一天。邻座竟是传闻中的“地雷系”女生。 　　人偶般的白皙肌肤，微微泛红的眼眶，格外鲜红的嘴唇，总带着一抹忧郁的神情。 　　从外貌而言，堪称将所谓“地雷系”氛围诠释到极致的女学生——地原舞。 　　升上高中二年级的普通男生·黑木，与传闻中充满危险的她成了邻座。 　　然而近距离观察下的地原，似乎和传言中的形象有些不同…… 　　黑木被地原难以预测的言行耍得团团转，却在目睹她意外的一面后，对她的印象逐渐产生变化。 　　看似是地雷系，其实意外地天然又冒失……？是个猫奴……？还是狂热饺子爱好者！？ 　　与“可爱地雷系”邻座而居的心动校园喜剧，此刻开幕！

种族主义每天都能登上头版头条。现在，有一种新的探测大脑中种族偏见的科学方法，但是，这种方法有多有用呢？主持人雅思敏·阿卜杜勒-麻吉想知道：这种新的科学方法是否能暴露种族主义？科学是否能帮我们降低自身的偏见？主持人以及四位志愿者参加了一个社会实验，10天的实验后，每一位参与人都发生了变化，都与进来的时候不一样了。如果人们能在10天内发生改变，那么，这就是个非常有希望的信息，说明人生是可以发生改变的。种族主义是一个没有简单解决方法的复杂问题，这个新的科学前沿能永远改变战胜种族主义的方式。

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

女主角问男主角为什么不喜欢她，他不回答。女主角重复问了三次：“你为什么不喜欢我？”“你为什么喜欢我？你根本不了解我。你喜欢的不是我，而是你想象出来的我。”男主角回答。

女主角问男主角为什么不喜欢她，他不回答。女主角重复问了三次：“你为什么不喜欢我？”“你为什么喜欢我？你根本不了解我。你喜欢的不是我，而是你想象出来的我。”男主角回答。