what can i say...要想了解60年代的法国时尚前卫文化，首看此片，再看《ANNA》。 　　Too bad this European cult film of the Sixties, written and directed by an American whose photo documentary reportage on New York, Rome, and Tokyo is legendary, is all but impossible to track down here in North America. After years of fruitless searching I finally attended two screenings at the Whitney Museum of Art in 1997. The main draw in this film for me was Grayson Hall, who portrays Miss Maxwell, Editor of Vogue magazine--a character so closely based on Director William Klein's former boss Diana Vreeland, it's amazing Vreeland didn't sue for libel. Grayson Hall was flown over specially from America to do this. Try to get the original French language version--she spoke French and her accent, and delivery, are priceless. (She referred to the experience acerbically as "Hell, honey!") The film's eponymous star Dorothy MacGowan was chosen at random from a crowd shot of Beatles girls welcoming the Fab Four at a New York airport. MacGowan stands at the center of a wildly gyrating scenario that satirizes pretty much everything in mid Sixties French society that is or isn't nailed down--politics, fashion, the media, the idealization of rural life and French traditions--taking frequent detours into fantasy sequences and even including some animated segments that must have helped inspire the animated interludes in the original Monty Python series. The score by Michel Legrand has some brilliant moments, particularly during the opening sequence featuring sheet metal fabricated fashions; the rest of the film never quite lives up to the promise of this inaugural tour de force. 　　Still, as a time capsule of Sixties effulgence, it's well worth tracking down. Let's hope somebody "rediscovers" it and brings it out on video, pronto! With the original letterbox ratio, bien sur.

what can i say...要想了解60年代的法国时尚前卫文化，首看此片，再看《ANNA》。 　　Too bad this European cult film of the Sixties, written and directed by an American whose photo documentary reportage on New York, Rome, and Tokyo is legendary, is all but impossible to track down here in North America. After years of fruitless searching I finally attended two screenings at the Whitney Museum of Art in 1997. The main draw in this film for me was Grayson Hall, who portrays Miss Maxwell, Editor of Vogue magazine--a character so closely based on Director William Klein's former boss Diana Vreeland, it's amazing Vreeland didn't sue for libel. Grayson Hall was flown over specially from America to do this. Try to get the original French language version--she spoke French and her accent, and delivery, are priceless. (She referred to the experience acerbically as "Hell, honey!") The film's eponymous star Dorothy MacGowan was chosen at random from a crowd shot of Beatles girls welcoming the Fab Four at a New York airport. MacGowan stands at the center of a wildly gyrating scenario that satirizes pretty much everything in mid Sixties French society that is or isn't nailed down--politics, fashion, the media, the idealization of rural life and French traditions--taking frequent detours into fantasy sequences and even including some animated segments that must have helped inspire the animated interludes in the original Monty Python series. The score by Michel Legrand has some brilliant moments, particularly during the opening sequence featuring sheet metal fabricated fashions; the rest of the film never quite lives up to the promise of this inaugural tour de force. 　　Still, as a time capsule of Sixties effulgence, it's well worth tracking down. Let's hope somebody "rediscovers" it and brings it out on video, pronto! With the original letterbox ratio, bien sur.

社畜司徒寒与女友涂山婉儿求婚成功，见家长时卷入阴谋，目睹婉儿横死并陷入死亡重生循环。循环中他发现涂山姐妹能幻化容貌，家主对司徒家族怀有仇恨，而婉儿似藏秘密、生死成谜。为揭开谜团拯救一切，司徒寒开始探寻真相。

影片讲述了一个青年人自我救赎的故事。 　　在北京打拼的白领安良（樊璟澄 饰）一心想过慢生活，创办了一个帮人找回自己公司。顶着小三头衔的漂亮女孩杨西（王丹梦 饰）希望凭借自己的姿色上位，却遭遇不为所动导演阿俊（隋咏良 饰）。杨西为了解阿俊求助安良成为他的第一个客户，结果二人反被阿俊点醒…… 　　在经历一系列刺激事件后，杨西终于走出阴影，找到最真实的自己，完成自我救赎。

A writer who after achieving success with his first book, lives in a disastrous creative block until a mysterious package arrives that reveals to us that inspiration can come in multiple ways.

一个身体，依附着两个灵魂，一个是冷酷无情的企业家，一个是热情的小伙子。父爱的深沉与执着，一个年轻的男子能否体会？借着他人的肉身只为与女儿度过最…

冷酷无情的年轻企业家车承孝（尹启相饰）意外地被糊里糊涂的“爸爸幽灵”附身。因突如其来的事故而死于非命的孙一健（姜南吉饰）不甘心就这样带着很多遗憾离去，千方百计想要在最后的49天内跟女儿孙英仁（高雅拉饰）好好道别。没有了身体的他只能附身于承孝的身上，这样两个灵魂在一个体内共存着，在同一个屋檐下开始了令人捧腹大笑的生活。

孙一健是一个诚实质朴的快递员，一次意外的交通事故夺走了他的生命。但是他的灵魂依然放不下独自在这个世上生活的女儿英仁，于是借他人的肉体来陪伴英仁。每天3个小时，在最后的49天时间里，他吃了以前从不吃的东西，做了过去不屑于做的事情，一切只为满足女儿的心愿，希望在有限的时间里将无尽的父爱完全的表达出来。车承孝是一个年轻有为的企业家，而每天三个小时的时间里，他的身体却被另外一个灵魂依附着，使他变成了截然不同的另一个人，去帮助别人，关心一个陌生的女孩子。而当清醒后，他又会对发生过的事情有什么样的感受呢……

讲述失去记忆的特工李泰柱和失去爱情的刘亚琳寻找彼此真正记忆和爱情的故事。

暂无简介。