本纪录片总体上以时间为主线，分别讲述褚时健作为“糖王”、“烟王”和“橙王”的不同时期的人生故事。除了再现褚时健一生坎坷的经历，本片还着重探究他几十年积累的管理经验和岁月磨砺之后所形成的人格魅力。为真实再现褚时健辉煌曲折的一生，我们将对他曾经生活和工作的地方进行全方位拍摄呈现，采访他的童年伙伴和不同时期的同事朋友，收集珍贵的影像资料，力求客观生动地讲述他成长和创业历程。

In 1831, a woman flees her abusive marriage, moves to Paris under a male pseudonym, and challenges gender norms by wearing men's clothing, pursuing affairs, and advocating for women's rights through writing.

In 1831, a woman flees her abusive marriage, moves to Paris under a male pseudonym, and challenges gender norms by wearing men's clothing, pursuing affairs, and advocating for women's rights through writing.

这是一部细思极恐的短片，夸张表现了人性里的恶和诸多社会现状。其实每个人都是参与者，片中的很多讽刺片段也都取材自现实生活。看完或许你会问：人类会变好吗？但可能只是一个死循环......From Q rais

这是一部细思极恐的短片，夸张表现了人性里的恶和诸多社会现状。其实每个人都是参与者，片中的很多讽刺片段也都取材自现实生活。看完或许你会问：人类会变好吗？但可能只是一个死循环......From Q rais

1927年北伐战争期间，蒋介石身边出现了一位新闻报人出身的秘书，这个人就是陈布雷，因为被蒋介石赏识，也被蒋的礼贤下士所感动，陈布雷成为了蒋介石身边最信任的秘书，一做就是22年。直到1948年陈布雷自杀身亡，作为国民党的领袖“文胆”蒋介石最信任的幕僚长，陈布雷最初选择与蒋介石共患难，却为何最终在蒋介石政权风雨飘摇的时刻选择默默地离开呢？

Documentary

Documentary

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.