在梦想和现实之间游离,夏炎的《梦》……

在梦想和现实之间游离,夏炎的《梦》……

“有喜欢的人吗？”修学旅行的那夜死党治若无其事的问到。十年、二十年后，我们将会变成什么样子？如果有了恋人的话，与我共渡的又会是谁？是青梅竹马的小奈美、表妹沙奈、还是妹妹的同学千轮？他们之中谁能与我共进早餐？ 　　在学校，同学信乃、前辈若菜他们也没有意识到什么，仍然如往常一样。但是在匠的眼中，对女性的认识开始慢慢的转变。在那个七夕之夜，在海津家列行的PARTY上 大家都在短册上写上了自己的的愿望，小奈美的不为人知的愿望是……？

《初夏》的主角海津匠是一名高二学生，正渡过一个无忧无虑的暑假，还未需要为升学或就业的问题而烦恼。此时在他的身边出现了不同的女性：青梅竹马的好友、学姐、学妹、老师、同班同学等等，交织出一个充满青春气息的校园恋爱故事，谁会成为他高中时代的最深刻记忆呢？

英顺的长期舞伴兼恋人鹤寿突然断了联系。在无尽等待中，鹤寿的儿子给英顺送来了讣告。得知鹤寿的四十九祭奠将于次日清晨举行，但那天也正是孙女石允的婚礼。英顺开始随着鹤寿的死亡缓缓回溯自己的人生。

英顺的长期舞伴兼恋人鹤寿突然断了联系。在无尽等待中，鹤寿的儿子给英顺送来了讣告。得知鹤寿的四十九祭奠将于次日清晨举行，但那天也正是孙女石允的婚礼。英顺开始随着鹤寿的死亡缓缓回溯自己的人生。

Dave和以前的体育老师要去露营，而在他情窦初开的心中，这不只是个露营，体育老师也不只是个老师。

Dave和以前的体育老师要去露营，而在他情窦初开的心中，这不只是个露营，体育老师也不只是个老师。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.