初中的毕业典礼上，爱城恋太郎进行了人生的第100次告白， 　　但和先前的99次一样，都被拒绝了。 　　恋太郎在男女间的评价一直都很好，但总是无法被女孩当作恋爱对象。 　　这天，恋太郎来到了祈求缘分的神社， 　　在他虔诚膜拜时，神出现了。 　　神告诉恋太郎，在升上高中后恋太郎将会遇到命运之人，并且总共有100人……。 　　DEAD·OR·LOVE的学园新生活开幕！！

初中的毕业典礼上，爱城恋太郎进行了人生的第100次告白， 　　但和先前的99次一样，都被拒绝了。 　　恋太郎在男女间的评价一直都很好，但总是无法被女孩当作恋爱对象。 　　这天，恋太郎来到了祈求缘分的神社， 　　在他虔诚膜拜时，神出现了。 　　神告诉恋太郎，在升上高中后恋太郎将会遇到命运之人，并且总共有100人……。 　　DEAD·OR·LOVE的学园新生活开幕！！

小男孩韦塞尔身在一个不幸的移民家庭，父亲搞革命不着家，哥哥自暴自弃混社会。在奥地利，韦塞尔感到孤独无助，而他唯一的快乐，就是偷偷看着自己暗恋的同班女孩安娜。或许是得益于曾在电影大师迈克尔·哈内克座下学习过的缘故，侯赛因的这部处女作出手不凡，拍得美轮美奂，以美到极致的青涩初恋反衬现实的残酷，颇显力度。影片在土耳其金橙电影节上勇夺八项大奖，而小主演阿布杜卡迪尔也以其天真烂漫的圆熟演技荣膺影帝，精彩不容错过。

小男孩韦塞尔身在一个不幸的移民家庭，父亲搞革命不着家，哥哥自暴自弃混社会。在奥地利，韦塞尔感到孤独无助，而他唯一的快乐，就是偷偷看着自己暗恋的同班女孩安娜。或许是得益于曾在电影大师迈克尔·哈内克座下学习过的缘故，侯赛因的这部处女作出手不凡，拍得美轮美奂，以美到极致的青涩初恋反衬现实的残酷，颇显力度。影片在土耳其金橙电影节上勇夺八项大奖，而小主演阿布杜卡迪尔也以其天真烂漫的圆熟演技荣膺影帝，精彩不容错过。

中学で失恋100回を達成した愛城恋太郎は、高校でこそ彼女を！と願い訪れた神社で、現れた恋の神様から「高校で出会う運命の人は100人いる」と告げられる。 　　しかし神様いわく、運命の人と出会った人間は、その相手と愛し合って幸せになれなければ死んでしまうという……。 　　次々に待ち受ける運命の人との出会い――どうする恋太郎？どうなる100人の彼女！？

中学で失恋100回を達成した愛城恋太郎は、高校でこそ彼女を！と願い訪れた神社で、現れた恋の神様から「高校で出会う運命の人は100人いる」と告げられる。 　　しかし神様いわく、運命の人と出会った人間は、その相手と愛し合って幸せになれなければ死んでしまうという……。 　　次々に待ち受ける運命の人との出会い――どうする恋太郎？どうなる100人の彼女！？

官方宣布第3季

官方宣布第3季

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.