在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

19岁的泰奥(Matteo Petrini)满怀创作理想，约翰•方达，布考斯基和比安恰尔迪的传奇故事陪伴他的成长。但突如其来的生活变故让他措手不及：父亲身患疾病，他不得不担起养家糊口的担子。周旋在几份杂工之间，泰奥几乎无暇顾及学业。在他深爱的女孩卡拉(EugeniaCostantini)的帮助下，泰奥却一直没有放弃追求理想。影片描述了泰奥面临的父子关系的微妙转变，求学和工作间的抉择，理想和现实间的挣扎。

“Yours” began with a soundie, a film made for projection in a “film jukebox” in 1945. 　　It was a popular song in its day and, with its sentiment of eternal love, feels poignant in the context of the Second World War and all its separated loves. “Yours” is performed here by the Roberts Brothers and the Bunnell Sisters, who appear to be two sets of twins, and the film’s built-in doubles made it feel right for an experiment I’d been thinking about. 　　What I did was shoot abstract animation literally through the original film. I used a Master Oxberry, once the gold standard of film animation cameras, now sadly verging on extinction. With this camera you can have two rolls of film running at the same time, “bi-pack” — or locked together — at the point of exposure. I shot through the film twice, first through the original and then through a negative of the original. The result is that all the blacks have been replaced by one layer of animation and all the whites by another. The surprise? How indelible the actual soundie is in the final film. It is now visible as the difference between my two replacements. 　　I like to think that I added another twin act. 　　This film and these notes originally appeared in the NYTIMES.COM/OPINION in "The Animated LIfe" by Jeff Scher

19岁的泰奥(Matteo Petrini)满怀创作理想，约翰•方达，布考斯基和比安恰尔迪的传奇故事陪伴他的成长。但突如其来的生活变故让他措手不及：父亲身患疾病，他不得不担起养家糊口的担子。周旋在几份杂工之间，泰奥几乎无暇顾及学业。在他深爱的女孩卡拉(EugeniaCostantini)的帮助下，泰奥却一直没有放弃追求理想。影片描述了泰奥面临的父子关系的微妙转变，求学和工作间的抉择，理想和现实间的挣扎。

“Yours” began with a soundie, a film made for projection in a “film jukebox” in 1945. 　　It was a popular song in its day and, with its sentiment of eternal love, feels poignant in the context of the Second World War and all its separated loves. “Yours” is performed here by the Roberts Brothers and the Bunnell Sisters, who appear to be two sets of twins, and the film’s built-in doubles made it feel right for an experiment I’d been thinking about. 　　What I did was shoot abstract animation literally through the original film. I used a Master Oxberry, once the gold standard of film animation cameras, now sadly verging on extinction. With this camera you can have two rolls of film running at the same time, “bi-pack” — or locked together — at the point of exposure. I shot through the film twice, first through the original and then through a negative of the original. The result is that all the blacks have been replaced by one layer of animation and all the whites by another. The surprise? How indelible the actual soundie is in the final film. It is now visible as the difference between my two replacements. 　　I like to think that I added another twin act. 　　This film and these notes originally appeared in the NYTIMES.COM/OPINION in "The Animated LIfe" by Jeff Scher

以 1992 年聯合國里約峰會上，珊文鈴木感動世界的演講內容創作，搭配具不同媒材與創作風格的動畫，為當時珊文所說的話賦予形狀和色彩，也再次呼籲每個人都有力量來改變世界。

以 1992 年聯合國里約峰會上，珊文鈴木感動世界的演講內容創作，搭配具不同媒材與創作風格的動畫，為當時珊文所說的話賦予形狀和色彩，也再次呼籲每個人都有力量來改變世界。