Gene editing is transforming medical research and could deliver new treatments and cures for diseases. It also gives scientists control over evolution, allowing genetic changes to be forced through species. 　　基因编辑正在改变医学研究，并可能提供新的治疗和治疗疾病。它还赋予科学家对进化的控制权，允许通过物种强制进行基因改变。

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

The female office worker who works for the company where the Saiki lily (Sakurai Ami) with a trauma deals with the interior decoration of the love hotel in the past with mother. The lily had an introverted character and usually received sexual harassment to a senior.

弗格斯·沃尔什探索着基因编辑如何彻底改革医学研究,并可能为许多疾病提供新的治疗方法,甚至治愈许多疾病。科学家还能通过该技术控制进化,强制改变物种基因,有些人担心这可能造成的后果。

高中时，游泳特长生（许光汉饰）对转校生（章若楠饰）一见钟情，年少懵懂的纯纯爱恋，男孩默默守护，但女孩却不告而别。此后的人生，15年的爱情长跑。你…

2012年临近高考，转校生江陵闯入安真真的世界，手机意外连通了2024年的“老江”。安真真在“老江”的指引下接近少年江陵，试图干预未来，却引发闺蜜邱倩的误解。看似离奇的相遇确将江陵和安真真的命运捆绑在了一起，在与江陵探寻危机真相的过程中，安真真接连遭遇家庭变故的曝光和众叛亲离的诬陷使得她在绝望中走上天台，终被江陵救下。虽然在江陵的帮助下安真真恢复了和好友关系，但新的危机又悄然出现，为阻止被胁迫的班长顾铭，安真真再次登上天台。 在另一个时空“老江”痛苦追寻真相尝试改变，但安真真的死却无法避免。就在这绝望的边缘，纸页翻动，齿轮微响。在文字的力量下，冰冷的“末日”预言被悄然覆盖。