娜京和正彬结婚后不久，偶然相遇的年河勋，坠入爱河，背着丈夫过着两家的生活。一天，他的密友敏珠发现了这个事实，娜京将胡妮介绍给敏珠，并试图掩盖秘密。娜京的丈夫郑彬和来家里玩的敏珠见面，相信一个令人震惊的事实...

终于轮到妇女在性方面发出自己的声音了！ 　　1968年（本片拍摄于1968年，上映时间则是在1969 1.30）：Kurt Georg Kiesinger（基民盟政治家，1966 12.1 他取代Ludwig Wilhelm Erhard成为由基民盟/基社盟+社民党组成的议会多数党所推选的新总理）当政;大学生走上街头；超短裙；妇女运动；Bob Dylan高唱反战歌曲；“滚石乐队”摇滚全世界；“阿波罗号”探索月球；Oswalt Kolle—-“德国的性交探险者”探索“Your wife - the Unknown Creature”。 　　电影以两个17岁的女孩对爱情的憧憬和梦想开篇，接下去是一位少妇摆脱性桎梏的故事以及对新生命的期待给一名女子带来了生理和心理的双重变化：Kolle指出，妇女在性爱和生育方面的发言权使她们迈上了通向性自由的大道。 　　350万人次的观众涌进西德影院，他们的好奇心和对性知识的渴望再次成就Oswalt Kolle一尊“金银幕”奖，也令他成为了“性解放”的象征。

In "Your Day is My Night", a collective of Chinese performers living in New York City explores the history and meaning of "shiftbeds" through verité conversations, autobiographical monologues and integrated movement pieces. On screen, the seven performers play themselves, while living together with a young Puerto Rican woman in a shift-bed apartment on Hester Street in the heart of Chinatown. The concept of the shift-bed allows us as viewers to see the private become public, as the bed transforms into a stage for our characters to reveal the struggles and joys of their lives. "Your Day is My Night" is a provocative hybrid documentary that looks at issues of privacy, intimacy, and community in relationship to this familiar item of household furniture.

林棠与霍北城的婚姻，是一场始于误会的骗局。霍北城为报恩娶 “苏家女儿”，却不知当年救他奶奶、与他有过纠葛的女孩正是林棠，反而认定她贪慕富贵，对其冷漠刻薄，还纵容心机女孙倩文的算计。婚后三年，林棠隐忍付出，却屡遭误解与污蔑。

在顾迟母亲的葬礼上，姜澜以“姐姐”的名义收养了没人愿意照顾的顾迟，成为顾迟黑暗人生中的一束光。顾迟也逐渐喜欢上了这个漂亮“姐姐”。年龄的隔阂是否会阻碍两人感情的发展，面对“弟弟”的表白，霸气的“姐姐”将如何应对？

在顾迟母亲的葬礼上，姜澜以“姐姐”的名义收养了没人愿意照顾的顾迟，成为顾迟黑暗人生中的一束光。顾迟也逐渐喜欢上了这个漂亮“姐姐”。年龄的隔阂是否会阻碍两人感情的发展，面对“弟弟”的表白，霸气的“姐姐”将如何应对？

凌玄穿越成为青玄门外门弟子，曾是外门第一，却在进入内门的前夕遭人下毒根基尽毁。此时他忽然发现自己可以看到每个人的人生剧本，掠夺他人机缘。你是大能转世？即将得到天阶功法？拿来吧你！你是未来炎帝？炼化太阳精火？拿来吧你！你是武祖传人？身怀天阶灵器？拿来吧你！你是狐族圣女？即将驯服圣兽幼崽？嗯，连人带机缘全归我了！

A technological accident serves as a catalyst for Lindy and Les, a married couple, to re-evaluate their relationship's power dynamics, leading to a dramatic showdown as they vie for control in their marriage.

朱颖初次来到城市，眼花缭乱的城市生活让她着迷，等到远在乡镇的男友前来找她的时候，朱颖却早已深陷其中，无法回头。朱颖在记忆与欲望的不断重建与解构中崩溃，与此同时，她也对现实的真实性产生了怀疑……

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.