18岁的乔菁，被继母继妹联合算计，搞的身败名裂，赶出了乔家大门！五年后，涅槃重生的乔大小姐带着一只小神兽，回来报仇了！众人嘲讽：她还有脸回来？居然还带着一个拖油瓶？燕四爷：女人，我看上你了。

18岁的乔菁，被继母继妹联合算计，搞的身败名裂，赶出了乔家大门！五年后，涅槃重生的乔大小姐带着一只小神兽，回来报仇了！众人嘲讽：她还有脸回来？居然还带着一个拖油瓶？燕四爷：女人，我看上你了。

阿伟和花子结婚后生活过得很平静，每天老婆上班的嘱咐已经成了阿伟厌烦，突然公司董事长女儿回国在公司视察工作，阿伟带领她在公司视察，一来二去两位产生了感情，阿伟在工作的时候突然手机来信息，是董事长女儿发的，说家里的水龙头坏了，叫阿伟去修理一下，这时候阿伟还是选择了回归家庭，老婆的唠叨其实就是生活的柴米油盐酱醋茶，平凡守护才是家的感觉

影片通过“我”对患有精神疾病的母亲进⾏长时间的拍摄纪录，以电影的方式不断深入了解母亲的生活，以及她的精神世界。在这个过程中，电影不仅成为纪录的载体，更是“我”与母亲之间完成亲密沟通的桥梁。以这种方式表达我对母爱深深的渴望和对挚爱母亲及家人的守护。

影片通过“我”对患有精神疾病的母亲进⾏长时间的拍摄纪录，以电影的方式不断深入了解母亲的生活，以及她的精神世界。在这个过程中，电影不仅成为纪录的载体，更是“我”与母亲之间完成亲密沟通的桥梁。以这种方式表达我对母爱深深的渴望和对挚爱母亲及家人的守护。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

以ASMR为主题的短动画（ASMR（英语：Autonomous sensory meridian response，缩写ASMR），即自发性知觉经络反应，意思是指人体通过视、听、触、嗅等感知上的刺激，在颅内、头皮、背部或身体其他部位产生的令人愉悦的独特刺激感，又名耳音、颅内高潮等。）

湖南卫视给所有观众和粉丝一个展示的舞台，邀请观众c位出道，秀出你的才艺，创作最优作品的粉丝将受邀参加湖南卫视一系列地面探班活动，采访明星及现场互动，其摄制的视频将在湖南卫视精编播出。

The female office worker who works for the company where the Saiki lily (Sakurai Ami) with a trauma deals with the interior decoration of the love hotel in the past with mother. The lily had an introverted character and usually received sexual harassment to a senior.