Returning to the USA after losing both arms overseas, a young veteran battles phantom pains, prosthetics, and memories of his pre-war life while reaching for a sense of normalcy.

Returning to the USA after losing both arms overseas, a young veteran battles phantom pains, prosthetics, and memories of his pre-war life while reaching for a sense of normalcy.

生活在日本岩手县的吉塚一家在山区从事奶牛养殖业。他家采取绿色生态养殖，一年四季都只在自己的牧场放牛。为了确保牛奶的质量，奶牛产奶量不到普通奶农的三分之一，年收入有时不到100万日元。这个家庭由九名成员组成：吉塚先生、他的妻子、五个儿子，还有两个女儿。餐食通常只是米饭和盐。吉塚先生决定生产自有品牌，并设法摆脱困境，借钱赚取生活费。然而，随着孩子的成长，家庭冲突变得明显。这部纪录片记录了这个家庭24年的生活状况，向观众提出了这样的问题：理想的家庭是什么样的？何谓内心的丰富？

生活在日本岩手县的吉塚一家在山区从事奶牛养殖业。他家采取绿色生态养殖，一年四季都只在自己的牧场放牛。为了确保牛奶的质量，奶牛产奶量不到普通奶农的三分之一，年收入有时不到100万日元。这个家庭由九名成员组成：吉塚先生、他的妻子、五个儿子，还有两个女儿。餐食通常只是米饭和盐。吉塚先生决定生产自有品牌，并设法摆脱困境，借钱赚取生活费。然而，随着孩子的成长，家庭冲突变得明显。这部纪录片记录了这个家庭24年的生活状况，向观众提出了这样的问题：理想的家庭是什么样的？何谓内心的丰富？

艾瑞克（Anthony Meindl 饰）和菲利普（Cameron Watson 饰）是一对感情十分要好的同性恋人，两人过着同居的生活，日子平静而幸福，衣食无忧。随着两人感情的稳步升级，他们都同意，是时候收养一个“爱情的结晶”了。通过当地的孤儿院，艾瑞克和菲利普希望能够收养一个婴儿，可孤儿院送来的，却是两个名叫TJ（Grady Hutt 饰）和布瑞恩（Blayn Barbosa 饰）的男孩。 　　孤儿院向艾瑞克和菲利普保证，他们会得到他们想要收养的婴儿，但有一个条件，那就是必须留两个男孩在家里住一天。没想到，这允诺中的一天变成了两天，三天，当艾瑞克和菲利普反应过来时，甚至连男孩们的母亲也成为了家中的住客。

艾瑞克（Anthony Meindl 饰）和菲利普（Cameron Watson 饰）是一对感情十分要好的同性恋人，两人过着同居的生活，日子平静而幸福，衣食无忧。随着两人感情的稳步升级，他们都同意，是时候收养一个“爱情的结晶”了。通过当地的孤儿院，艾瑞克和菲利普希望能够收养一个婴儿，可孤儿院送来的，却是两个名叫TJ（Grady Hutt 饰）和布瑞恩（Blayn Barbosa 饰）的男孩。 　　孤儿院向艾瑞克和菲利普保证，他们会得到他们想要收养的婴儿，但有一个条件，那就是必须留两个男孩在家里住一天。没想到，这允诺中的一天变成了两天，三天，当艾瑞克和菲利普反应过来时，甚至连男孩们的母亲也成为了家中的住客。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

近未来，30岁出头的女性林音通过手机软件SIMI认识了AI聊天机器人。在他们的交互过程中，林音逐渐萌生了想要变成AI的想法，而AI也表现出对人身体的羡慕。 　　本片为VogueWorld130周年展VOGUEfilm短片。

近未来，30岁出头的女性林音通过手机软件SIMI认识了AI聊天机器人。在他们的交互过程中，林音逐渐萌生了想要变成AI的想法，而AI也表现出对人身体的羡慕。 　　本片为VogueWorld130周年展VOGUEfilm短片。