那一年，全台都在疯歌唱选秀，人人都在勇敢追梦。音乐老师余静 （ 柯佳嬿 饰）却惨遭未婚夫劈腿，为了治疗情伤流浪到花蓮； 而郁郁不得志的流浪教师邢致远 （ 傅孟柏 饰）被调往偏乡学校，他把歌唱选秀当作自己教育事业的跳板，因缘际会下找来了天生好歌喉的学生李东朔 （ 谢博安 饰）及他的麻吉们组成“七月男孩”乐团，并请来余静指导，开始勇闯一年一度的歌唱选秀大赛。职场失意的邢致远和忧郁少年李东朔，都被温暖善良的余静深深吸引，面对这两段截然不同的情感，余静的心开始摇摆不定 。

影片讲述了音乐老师余静（柯佳嬿 饰）为治疗情伤流浪到花莲；郁郁不得志的流浪教师邢致远（傅孟柏 饰）被调往乡村学校，他把歌唱选秀当作自己教育事业的跳板，机缘巧合下找来了天生好歌喉的学生李东朔（谢博安 饰），并请来余静指导，三人在相处的过程中情愫暗生，余静在轻熟男老师傅孟柏和青春高中生谢博安之间，站在爱情十字路口的柯佳嬿又将如何选择？

温，一位44岁的上班族，在失去了亲密朋友纳特后过着漫无目的的生活，纳特带着他们曾经梦想过的梦想离开了。直到有一天，命运把他带回了17岁的少年。这一次，Win决心通过组建两人开始的乐队来实现Nat日记中的梦想。

莎拉(克亚芙饰)的家庭生活并不美满，便将情感倾注于女儿及好友敏迪(吉娜·马隆饰)身上。和敏迪几番往来后，两人的情感似乎超出友谊的范围。直到敏迪结婚，莎拉才察觉内心所爱即将溜走。

莎拉(克亚芙饰)的家庭生活并不美满，便将情感倾注于女儿及好友敏迪(吉娜·马隆饰)身上。和敏迪几番往来后，两人的情感似乎超出友谊的范围。直到敏迪结婚，莎拉才察觉内心所爱即将溜走。

本作は、売れないシンガー・花を主人公とするハードボイルドラブストーリー。花のマネージャー兼恋人の猛はヤクザの覚せい剤を横流ししようとするが、暴力団員の久住によって殺害されてしまう。猛からの最後の電話で覚せい剤の隠し場所を知った花は、かつて一緒に夢を追っていた幼なじみ・誠とともに久住への復讐に身を投じていく。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.