ゆびさきから伝わる 君からのメッセージ 　　雨が降る放課後に、お互いに伝えたいことがある。言葉にすると照れくさくて、笑ってしまうのだけれど・・・。ふたりの話す声は、優しくて、楽しくて、なのに切ない。堀北真希×黒木メイサ。17歳のふたりが放つ、一瞬の輝きを、映画「tokyo.sora」「好きだ、」を手がけた監督石川寛が、優しく、柔らかく切り取ったショートムービー。

ゆびさきから伝わる 君からのメッセージ 　　雨が降る放課後に、お互いに伝えたいことがある。言葉にすると照れくさくて、笑ってしまうのだけれど・・・。ふたりの話す声は、優しくて、楽しくて、なのに切ない。堀北真希×黒木メイサ。17歳のふたりが放つ、一瞬の輝きを、映画「tokyo.sora」「好きだ、」を手がけた監督石川寛が、優しく、柔らかく切り取ったショートムービー。

克里斯汀·斯科特·托马斯新片[指尖](Au Bout Des Doigts，暂译)将于10月7日在巴黎开拍，参演过[我的国王]的卢德维克·伯特希尔克确认执导。影片剧本由导演和[亚马逊萌猴奇遇记]编剧约翰娜·伯纳德共同撰写，剧情梗概尚未透露，其他卡司包括朱尔·本谢特里([新房客])、朗贝尔·维尔森([奥赛德])等。

克里斯汀·斯科特·托马斯新片[指尖](Au Bout Des Doigts，暂译)将于10月7日在巴黎开拍，参演过[我的国王]的卢德维克·伯特希尔克确认执导。影片剧本由导演和[亚马逊萌猴奇遇记]编剧约翰娜·伯纳德共同撰写，剧情梗概尚未透露，其他卡司包括朱尔·本谢特里([新房客])、朗贝尔·维尔森([奥赛德])等。

SYNOPSIS 　　This film depicts how the jealousy and envy of human begins can lead to murder, the worst crime a person can commit. Two young women, So-young and Hye-ran, are old friends but not close confidantes. So-young is happily married and is r ecognized by her community as a good citizen. On the other hand, Hye-ran has a complex and envies So-young's happiness. As time passes, Hye-ran burns more and more with jealousy of So-young. She plans to destroy So-young's happiness and her life. So-young has a good husband (Chung-min) who dearly loves her. The first step to ruin So-young's happiness is to seduce Chung-min, her loving husband. Once she has her way with him, what will happen?

SYNOPSIS 　　This film depicts how the jealousy and envy of human begins can lead to murder, the worst crime a person can commit. Two young women, So-young and Hye-ran, are old friends but not close confidantes. So-young is happily married and is r ecognized by her community as a good citizen. On the other hand, Hye-ran has a complex and envies So-young's happiness. As time passes, Hye-ran burns more and more with jealousy of So-young. She plans to destroy So-young's happiness and her life. So-young has a good husband (Chung-min) who dearly loves her. The first step to ruin So-young's happiness is to seduce Chung-min, her loving husband. Once she has her way with him, what will happen?

浩泰和东熙从小像兄弟一样一起长大。几年前搬到首尔的浩泰在父亲葬礼后重新回到了江陵。另一边，东熙因为出柜被赶出家门，独自生活在浩泰家的空房子里。时隔许久重逢的两人，开始了同一个屋檐下的生活。东熙再次看到既像亲兄弟又是自己初恋的浩泰时，虽然想控制住自己激动的心情，但并不容易。浩泰也对好久不见的东熙产生了至今为止从未有过的情感，为了从对东熙的混乱感情中逃脱，浩泰开始随便交女朋友。看着这样的浩泰，东熙感到很受伤，而两人岌岌可危的关系也因为一次意想不到的事件为契机开始慢慢发生变化… 　　这部为《非故意恋爱故事》的衍生电影

浩泰和东熙从小像兄弟一样一起长大。几年前搬到首尔的浩泰在父亲葬礼后重新回到了江陵。另一边，东熙因为出柜被赶出家门，独自生活在浩泰家的空房子里。时隔许久重逢的两人，开始了同一个屋檐下的生活。东熙再次看到既像亲兄弟又是自己初恋的浩泰时，虽然想控制住自己激动的心情，但并不容易。浩泰也对好久不见的东熙产生了至今为止从未有过的情感，为了从对东熙的混乱感情中逃脱，浩泰开始随便交女朋友。看着这样的浩泰，东熙感到很受伤，而两人岌岌可危的关系也因为一次意想不到的事件为契机开始慢慢发生变化… 　　这部为《非故意恋爱故事》的衍生电影

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.