在许多偶像剧中，总是能看到林美秀饰演妈妈一角，展现活泼开朗的身影，不过这次她入围金钟奖迷你剧集女主角的角色，和从前大不相同，是一位历经风霜的阿嬷。 　　林美秀在《你的眼我的手》剧中担纲主角许桃，饰演生命历经风霜饱受病苦的独身阿嬷，和她以往搞笑的剧中形象很不同。对於入围，她只说：感恩感恩再感恩！ 　　剧中是别人的妈妈、阿嬷，在戏外林美秀没有结婚，她回想2008年拍摄这个故事时，每次想到同一年离世的父亲，就会很自然流泪，融入悲伤的剧情中。 　　2011年9月底公布金钟奖入围名单时，林美秀开心的感谢工作人员，还有自己亲爱的家人，尤其是她最爱的妈妈，无奈她的妈妈在9月30日病逝，无缘看她角逐金钟影后。 　　《你的眼我的手》导演陈慧翎也入围导演奖，她在感言中特别提到，要将荣耀献给早逝的工作夥伴赵舒音，赵舒音同时也是《赛德克·巴莱》的工作人员，魏德圣也曾特地写文章纪念。

在许多偶像剧中，总是能看到林美秀饰演妈妈一角，展现活泼开朗的身影，不过这次她入围金钟奖迷你剧集女主角的角色，和从前大不相同，是一位历经风霜的阿嬷。 　　林美秀在《你的眼我的手》剧中担纲主角许桃，饰演生命历经风霜饱受病苦的独身阿嬷，和她以往搞笑的剧中形象很不同。对於入围，她只说：感恩感恩再感恩！ 　　剧中是别人的妈妈、阿嬷，在戏外林美秀没有结婚，她回想2008年拍摄这个故事时，每次想到同一年离世的父亲，就会很自然流泪，融入悲伤的剧情中。 　　2011年9月底公布金钟奖入围名单时，林美秀开心的感谢工作人员，还有自己亲爱的家人，尤其是她最爱的妈妈，无奈她的妈妈在9月30日病逝，无缘看她角逐金钟影后。 　　《你的眼我的手》导演陈慧翎也入围导演奖，她在感言中特别提到，要将荣耀献给早逝的工作夥伴赵舒音，赵舒音同时也是《赛德克·巴莱》的工作人员，魏德圣也曾特地写文章纪念。

主人公大桑是个开着车全国跑，什么都可以当成工作的“万事屋”。因为他这种哪里需要就去哪里爱帮忙的性格，也因此不断被卷入别人命运里。

主人公大桑是个开着车全国跑，什么都可以当成工作的“万事屋”。因为他这种哪里需要就去哪里爱帮忙的性格，也因此不断被卷入别人命运里。

The comfort-seeking Maja tries to regain control over her life following her recent divorce. 'Take My Hand' is a romantic comedy with all the drama that follows when our perceptions of love are turned upside down.

渽民與延浩趕著參加畢業典禮，一時之間兩人牽起手來奔跑，情境催化下，渽民突然向延浩告白，延浩會如何回應呢？

The comfort-seeking Maja tries to regain control over her life following her recent divorce. 'Take My Hand' is a romantic comedy with all the drama that follows when our perceptions of love are turned upside down.

渽民與延浩趕著參加畢業典禮，一時之間兩人牽起手來奔跑，情境催化下，渽民突然向延浩告白，延浩會如何回應呢？

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.