蔡明亮一直以來都很關注弱勢族群，他說自己很喜歡看看老人家的臉，每一位都長得很漂亮，「他們看我們長大為何我們不能看看他們？」並公布剛拍2個月的新作品《你的臉》，採樣15位人臉大特寫，除了班底演員李康生和陳湘琪外，其餘13位都是高齡素人，由他親自走訪西門町、萬華物色面孔。 有趣的是蔡明亮花1個月在街上找素人演員，雖然年紀較長的人不認識他，卻都不疑有他就跟著去拍電影，演員的孫子或孫女剛開始擔心會不會是爺爺奶奶被詐騙，看到是導演本人才放心，他笑說：「台灣人真的很可愛。」目前電影《你的臉》資金已到位，由美容公司投資1百萬元，全片對白採演員的自然對話。 蔡明亮的VR電影《家在蘭若寺》還未上映，票價也未定，仍在做後續微調，他希望電影能有最好的呈現，而繼《家在蘭若寺》之後接著拍《你的臉》，挑戰類似紀錄片加上劇情片的新電影風格，他形容：「這部電影有人覺得應該放在美術館，我覺得可以放在電影院。」

1988年的奥斯卡提名动画短片。 男低音在优美的钢琴伴奏下，深情地唱着<Your face is like a song>。而此时他的脸正像媒体播放器里的视觉效果一样不断的变化，各种抽象的形态仿佛演绎着毕加索的视觉艺术。

After being separated for 82 days, Adam travels down a rough road to be reunited with the one he loves, whatever it takes.

活跃于20世纪80~90年代的远藤道郎，其所领军的朋克乐队Stalin在日本摇滚音乐史上曾留下重要的一笔。现场演出时，远藤向台下投掷猪内脏、鞭炮，甚至赤裸地在舞台上小便。过激的表演以及夺人魂魄的词曲，让许多乐迷至今记忆犹新。2011年，单飞的远藤迎来60岁生日，这位活力十足的老哥高调宣布复活Stalin，并展开全国巡演。就在此时，3·11东日本大地震爆发，他的故乡福岛遭受了史无前例的重创。远藤回到家乡，启动了FUKUSHIMA!的项目，以为故乡发起应援。本片记录了这位不服老的男人行走在音乐道路和追根之旅的点点滴滴……

芳根京子和高桥海人在高中时意外互换了身体，然后一直换不回来，并用对方的身体长大成人了。披着高桥海人皮的芳根京子是个海王，而披着芳根京子皮的高桥海人则是结婚生子了。三十岁的某天，披着高桥海人皮的芳根京子突然和披着芳根京子皮的高桥海人说，自己知道把身体换回来的方法了…

一位遵循传统社会规范的女孩思真（李婧璇 饰），被田径队自由洒脱的女孩章晴（杜天悦 饰）所吸引，女孩们渐渐彼此靠近。思真的母亲（黎庆新 饰）发现了二人的秘密，在面对母亲质问时的懦弱回应，思真失去了她心爱的女孩，此时的她在家庭、学校与自我内心的挣扎时该如何抉择……

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

以记忆与直觉为武器，在人群中找出通缉犯的“推测搜查员”沉迷调查案件，不觉间走进警察机构黑暗内部的故事。

You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer. Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people. 源自：https://iffr.com/en/iffr/2023/films/faces-of-anne

卡洛塔连自己的脸都认不出来。她是所有负责面部识别的大脑部分不能正常工作的人中的1%之一。《迷失在脸上》穿越卡洛塔的宇宙，充满了拟人化的动物、清晰的梦境和坎坷的错误道路。这部电影剥去了她迷人的，独特的解决方案，她使用能够加入人类一致性的大众，直到她有一天决定建造一艘船，离开她的人类同胞。她对答案的无休止的探索使她走向艺术，从而成为一条通向她自己的脸和回归人性的大道。