高中生日暮窦子（铃川纱由 配音）拥有看见其他人内心颜色的能力，她憧憬着同学作永君（高石明里 配音）身上亮丽的色彩。作永退学后，窦子在小镇的旧书店找到了她，并结识了同样拥有明亮色彩的少年影平路易（木户大圣 配音）。在窦子的提议下三人组成了乐队，开始创作起属于自己的歌曲。因音乐结缘的三人关系逐渐拉进，却也各怀心事：窦子一直隐瞒着自己“能够看见他人颜色”的秘密；作永向家人隐瞒了自己退学的事实，路易则瞒着母亲搞起了乐队…… 随着校园庆典的临近，从音乐中获得安慰与力量的三人，在日吉子老师（新垣结衣 配音）等人的帮助下，决定用人生的第一场演唱会直面真实的自己。

高中生日暮窦子（铃川纱由 配音）拥有看见其他人内心颜色的能力，她憧憬着同学作永君（高石明里 配音）身上亮丽的色彩。作永退学后，窦子在小镇的旧书店找到了她，并结识了同样拥有明亮色彩的少年影平路易（木户大圣 配音）。在窦子的提议下三人组成了乐队，开始创作起属于自己的歌曲。因音乐结缘的三人关系逐渐拉进，却也各怀心事：窦子一直隐瞒着自己“能够看见他人颜色”的秘密；作永向家人隐瞒了自己退学的事实，路易则瞒着母亲搞起了乐队…… 随着校园庆典的临近，从音乐中获得安慰与力量的三人，在日吉子老师（新垣结衣 配音）等人的帮助下，决定用人生的第一场演唱会直面真实的自己。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

本片是教小学生如何使用颜色的教学片，赤橙黄绿青蓝紫都是可视物体发出的颜色。

本片是教小学生如何使用颜色的教学片，赤橙黄绿青蓝紫都是可视物体发出的颜色。

Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". 　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. 　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". 　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. 　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

Young Natalie tries to help her mysteriously ill best friend.