大龄女青年陆依依是一名生活极度规律甚至到了偏执刻板的女性，研究生毕业后顺利的成为了一名精算师，过着平稳生活，喜欢拿数字说话，偶尔还和早已去世的母亲（潜意识里的映像）话争吵。为了安抚老爸陆善家对女儿哀叹愁嫁的情绪，对现代人的爱情观全不认同的她不得已走上相亲结婚的战场。与此同时的另一方，现年35岁的欧阳宇飞，是个自诩作家的家里蹲，他日常倦在家里看书、 看电影，生活起居全靠老娘照顾，眼看着妈妈日渐衰老，欧阳也不得不考虑结婚成家独立生活，他只得硬着头皮和女性开始约会。 就这样，两个恋爱白痴开始了一场啼笑皆非的爱情故事。

大龄女青年陆依依是一名生活极度规律甚至到了偏执刻板的女性，研究生毕业后顺利的成为了一名精算师，过着平稳生活，喜欢拿数字说话，偶尔还和早已去世的母亲（潜意识里的映像）话争吵。为了安抚老爸陆善家对女儿哀叹愁嫁的情绪，对现代人的爱情观全不认同的她不得已走上相亲结婚的战场。与此同时的另一方，现年35岁的欧阳宇飞，是个自诩作家的家里蹲，他日常倦在家里看书、 看电影，生活起居全靠老娘照顾，眼看着妈妈日渐衰老，欧阳也不得不考虑结婚成家独立生活，他只得硬着头皮和女性开始约会。 就这样，两个恋爱白痴开始了一场啼笑皆非的爱情故事。

29岁的薮下依子（杏 饰）是一名生活极度规律甚至到了偏执刻板的女性，她毕业于名门学府，以公务员的身份过着平稳生活，对凡事锱铢必较，喜欢拿数字说话，偶尔还和早已去世的母亲（和久井映见 饰）对话争吵。为了安抚老爸（松重丰 饰）的情绪，对现代人的爱情观全不认同的她不得已走上婚活的战线。与此同时的另一方，现年35岁的谷口巧（长谷川博己 饰），是一位自诩为“高等游民”的资深啃老族，他日常倦在家里看书、看电影，生活起居全靠老娘（风吹纯 饰）照顾，为了在母亲去世后找到一张长期饭票，他只得硬着头皮和三次元的女性约会。 两个奇葩男女初次会面，彼此均无特殊好感，却因各自脑洞大开的婚姻爱情观而一拍即合，他们的约会中可会有爱的产生？

杏主演冬季富士月9《約會～戀愛為何物～》（デート～恋とはどんなものかしら～），故事講述主角29歲的藪下依子過著有效率而規律的生活，無論是乘坐的電車，座的位置，走的路，穿的衣服，吃的東西都會依不同日子而決定。 　　她為人十分自我不懂變通信奉超合理主義，不擅和人溝通不和其他人拉上關係。她的人生在學生時代早已設計，在東大入讀數理科學研究科研究微經濟，之後成為國家公務員在政府經濟總合研究所工作。踏實工作的她已儲下數千萬円。最喜歡為了目標而努力的她，卻發現預定結婚和生子的時限已近，於是拿著自己設定的24項結婚條件，開始找能通過的人。 　　男主角為35歲的谷口巧（長谷川博己），表面上是開朗聰明的好青年，服裝得體也有清潔感，但內裡他覺得為了工作而浪費寶貴時間是愚蠢的事，於是成為不工作的尼特族但自稱「高等遊民」。和他一起居住的高齡母親死後，他的目標是找一個有錢的女人結婚，代替母親成為他寄生的對象。 　　不懂戀愛的女人及不適合戀愛的男人遇上後，為了各自的目標而向結婚進發，在沒有戀愛感情的基礎下，不斷約會的二人會出現的怎樣的發展？

杏主演冬季富士月9《約會～戀愛為何物～》（デート～恋とはどんなものかしら～），故事講述主角29歲的藪下依子過著有效率而規律的生活，無論是乘坐的電車，座的位置，走的路，穿的衣服，吃的東西都會依不同日子而決定。 　　她為人十分自我不懂變通信奉超合理主義，不擅和人溝通不和其他人拉上關係。她的人生在學生時代早已設計，在東大入讀數理科學研究科研究微經濟，之後成為國家公務員在政府經濟總合研究所工作。踏實工作的她已儲下數千萬円。最喜歡為了目標而努力的她，卻發現預定結婚和生子的時限已近，於是拿著自己設定的24項結婚條件，開始找能通過的人。 　　男主角為35歲的谷口巧（長谷川博己），表面上是開朗聰明的好青年，服裝得體也有清潔感，但內裡他覺得為了工作而浪費寶貴時間是愚蠢的事，於是成為不工作的尼特族但自稱「高等遊民」。和他一起居住的高齡母親死後，他的目標是找一個有錢的女人結婚，代替母親成為他寄生的對象。 　　不懂戀愛的女人及不適合戀愛的男人遇上後，為了各自的目標而向結婚進發，在沒有戀愛感情的基礎下，不斷約會的二人會出現的怎樣的發展？

The title of Miguel Gomes' début film is derived from the expression: 'Until the age of thirty, you have the face that God gave you, after that you have the face you deserve.' Himself having just reached thirty, Gomes embroiders forth on this theme and works it into an idiosyncratic, humorous and fascinating film; the universe with a logic all of its own. Because what about the protagonist Francisco? It's his birthday and he's turning thirty. He's not very happy, wearing his cowboy suit at a school party, surrounded by children that irritate him. But not wanting to grow older is no reason to be as annoying as Francisco... Then the action moves to a fantasy world where seven strange little men live. It's the space where Francisco tries to wrestle himself free from his childishness. Gomes: 'The seven characters are like Snow White's seven dwarfs. But they are also seven childish sides of Francisco's character. He shall have to settle up with them one by one to grow up.' The Face You Deserve is beautifully and attractively made in all respects, from the casting and soundtrack to the setting where Francisco's sublimated catharsis from being a child takes place. The result is an intriguing fairy-tale about the end of an endless childhood.

The title of Miguel Gomes' début film is derived from the expression: 'Until the age of thirty, you have the face that God gave you, after that you have the face you deserve.' Himself having just reached thirty, Gomes embroiders forth on this theme and works it into an idiosyncratic, humorous and fascinating film; the universe with a logic all of its own. Because what about the protagonist Francisco? It's his birthday and he's turning thirty. He's not very happy, wearing his cowboy suit at a school party, surrounded by children that irritate him. But not wanting to grow older is no reason to be as annoying as Francisco... Then the action moves to a fantasy world where seven strange little men live. It's the space where Francisco tries to wrestle himself free from his childishness. Gomes: 'The seven characters are like Snow White's seven dwarfs. But they are also seven childish sides of Francisco's character. He shall have to settle up with them one by one to grow up.' The Face You Deserve is beautifully and attractively made in all respects, from the casting and soundtrack to the setting where Francisco's sublimated catharsis from being a child takes place. The result is an intriguing fairy-tale about the end of an endless childhood.

周凌薇婚后将公司交给老公陆鸣轩全权打理，因为一直未曾在公司路面，和老公见面时，被老公的秘书顾梦洁误认成小三，顾梦洁纠集公司的员工开始欺负辱骂周凌薇，在得知周凌薇怀孕后，对其的行为更加变本加厉，被误会虐待的周凌薇，究竟要如何报复虐待自己的秘书？

周凌薇婚后将公司交给老公陆鸣轩全权打理，因为一直未曾在公司路面，和老公见面时，被老公的秘书顾梦洁误认成小三，顾梦洁纠集公司的员工开始欺负辱骂周凌薇，在得知周凌薇怀孕后，对其的行为更加变本加厉，被误会虐待的周凌薇，究竟要如何报复虐待自己的秘书？

This film, produced in Former Yugoslavia, chronicles the horrors of Yugoslavia's meaningless civil war and it's effects upon a group of friends. The three main characters are Pedja, Ljuba, who is involved with the brother of Pedja's girlfriend Ivana, and Rabe an older friend. The threesome are placed upon the horrific front line. After Ljuba is wounded, they discover a young rape victim who takes them into her family's home. They stay there until Ljuba finally dies. To comfort the dying man, the young woman gives him a recording of the song "Why Have You Left Me?" Later, Pedja finds himself haunted by the woman. While he is a refugee in Belgrade he begins searching and finds her stealing flowers in a cemetery. Shell- shocked, she wanders the streets singing songs such as the "Girl from Ipanema". Pedja finds himself strongly attracted to her despite the fact that Ivana has prepared a safer life for him in Paris. Rabe kills himself while playing pool with an armed grenade. Following the suicide, Pedja forsakes Ivana for the other woman. 　　http://www.filmovi.com/en/film/489.shtml